By Ernest Barteldes
I first heard about Turkish oud player Mehmet Polat a few years ago via Facebook – he sent me one of his CDs but unfortunately I could not find a home for a review at the time. The most obvious publication would have been Global Rhythm, but as fate would have it the magazine had already ceased publication by then, and for a reason or another none of the editors I worked with at the time seemed interested, so I was unable to do anything with it – one of the reasons why I decided to start this music page in the first place.
On his acoustic trio CD Next Spring (Home Records) he is joined by Sinan Arat on Ney (a flute-like instrument) and Malian kora player Zoumana Diarra for an album that blends two distinctive cultures with amazing results. Polat’s oud and Diarra’s kora have this amazing blend, the sound of each instrument complementing each other seamlessly while Arat weaves around the melodies. The music is very soothing, and the musicians’ expertise is unquestionable. Among my personal favorites is the title track, a cheerful welcome to the new season as winter goes away. Polat begins on his own and is joined by the trio one by one – Diarra plays a dexterous solo while Polat creates an intricate bassline on his instrument. “You Are Not Alone” has nothing to do with the Michael Jackson track of the same name – instead, it is a fast-paced number that allows all the musicians to explore their improvisational skills. I also enjoyed the slow-tempo “Missing You” (another track with a famous rock namesake), a tune that has almost a meditational groove and the closing track “Amarula,” which I am guessing is about the famous South African liqueur made from the fruit of the marula tree. The tune is played in a cheerful tempo and again has plenty of improvisation around the melody.
Polat currently resides in Amsterdam and regularly tours around Europe (you can visit his website for dates). I am not aware of any plans of a U.S. visit, but I am sure that if the trio brought this material Stateside it would be much appreciated not only by World Music fans but also by those who enjoy improvisation – even if it is outside what one would call a jazz format.
For more information visit http://www.mehmetpolat.net/