July Preview: What to Listen and Watch in the Midsummer

By Ernest Barteldes

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Aterciopelados, LAMC at Summerstage, July 11

July comes with even hotter temperatures but also brings a full calendar of outdoor shows in many locations. Again, as we did on previous months, we will focus on shows that are either free of charge or with a suggested donation, as is the case with most performances at the BRIC Celebrate Brooklyn and at Summerstage.

At Bryant Park, the Summer movie series continues with a program that includes classics like Carrie (the Original 1976 with Sissy Spacek and a very young John Travolta), Coming to America and Goodfellas among some lesser-known titles. Films begin at sunset, but you should come early, since space in the grass is occupied as early as 6:00 PM.

The month of July marks the celebration of the 20th Anniversary of The Latin Alternative Music Conference, a citywide event that includes various showcases, panel discussions and other goodies, but for the general public there are free shows around the city. These performances include an opening show at Central Park Summerstage headlined by Mexico’s Ximena Sariñana  (Wednesday, July 10th at 5 PM), one of the most respected young pop artists in her native country. Her style brings to mind girl-power singers like Avril Lavigne and (if you think of the 90s) Alanis Morrissette. Also on the bill are iLe and Nathy Peluso. The following day, LAMC will host a showcase in Queensbridge Park (July 11th) featuring legendary Colombian band Aterciopelados, Diamante Electrico and DJ Dayansita

Later in the weekend the conference moves to Celebrate Brooklyn, where Guatemala’s Gaby Moreno (Prospect Park, July 12th) a bilingual artist that mixes pop and traditional sounds  will be sharing the bill with Mexico’s Enhambre and El David Aguilar, and then things move back to Central Park (Saturday, July 13th) with tith a big 20th anniversary party featuring Vicente Garcia, ChocQuibTown, Macaco & Guaynaa. On the same evening, Malian living legend Salif Keita will headline at Prospect Park – making it one heck of a busy weekend if you plan on attending every show.

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I’m With Her, Celebrate Brooklyn July 18

Sara Watkins, Sarah Jarosz, and Aoife O’Donovan are three artists with respectable careers in their own right, but when they get together for their “Supergroup” I’m With Her things get far more interesting, as they use more harmonies and musical textures that go beyond their solo works. Opening the evening is Darlingside, a four-piece group from Boston that takes inspiration from 60s groups like Crosby, Stills, Nash & Young and Simon & Garfunkel but put their own personal imprint, being both retro and contemporary at the same time. (BRIC Celebrate Brooklyn, July 18).

I’ve heard Chilean-French rapper Ana Tijoux multiple times over the years, going from her rather raw debut appearance at LAMC almost a decade ago to her more evolved, social justice-conscious phase, where her angrier raps became more melodically intricate.  She continues to evolve, so don’t expect her to simply rap to the beats in her breakout hit “1977.” She has a deeper, more powerful message these days. (Summerstage at Corporal Thomas Park, July 20)

One of the biggest hits on Broadway in recent years, Fela! The Concert celebrates the times and music of iconic Afrobeat founder Fela Kuti with a ten-piece band, dancers and singers – some who were part of the original production – a great opportunity to watch the show again or for those who missed it to actually watch it for free. (Summerstage at Coney Island, July 26 and July 31 at Central Park)

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Alceu Valença, July 27 Brazil Summerfest at Summerstage

Brazil Summerfest is a two-week long festival that celebrates everything Brazilian, kicking off with a free street fair featuring traditional music, food and even some artisanal works. There are several ticketed shows, panel discussions and movie screenings throughout the event, including a free show at Central Park Summerstage featuring Alceu Valença (July 27), a legendary singer-songwriter in Brazil but who hardly ever performs in the US (at least from memory, I cannot recall ever hearing of him performing Stateside in the two decades I’ve been here). His music is a blend of traditional Northeastern beats with theatrics and rock. He is a consummate perfectionist in spite of his eccentric stage persona – I once saw him stop a show because the sound was not of his liking, but he did apologize to the audience for that, and later gave a stellar performance after the problems were solved.

August is also promising as Celebrate Brooklyn, Summerstage and Lincoln Center Out of Doors continue their free programs – tune back in at the end of July for some cool recommendations.

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Brandee Younger Trio At Summerstage in Central Park

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Brandee Younger (Ernest Barteldes)

Brandee Younger Trio

Central Park Summerstage

June 15, 2019

By Ernest Barteldes

Backed by Endea Owens (upright bass) and E.J. Strickland (drums), jazz harpist Brandee Younger kicked off her set with Alice Coltrane’s  “Rama-Rama,” a bright and uptempo theme that quickly transitioned to a more syncopated number centered on Owens’ dominant bassline. She followed that with “Hortence,” an original tune that allowed the bandleader to stretch and further explore the versatility of her instrument, and Owens took another mellifluous solo. She introduced herself and the band (cracking a joke at Strickland’s Gainsville, FL origins) and led the band with a more samba-influenced number.

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Central Park Summerstage

Halfway through the set, the trio was joined by saxophonist Chelsea Baratz for “Essence of Ruby,” whose melody centered on the saxophonist’s tenor sax. It was a tune with a simple structure close to smooth jazz but with more of a contemporary edge.

The four musicians navigated various styles, and included many creative elements – in “Respect the Destroyer,” Younger used effects that gave her harp an electronic-like sound that served as a backdrop for Baratz’s dexterous solo.

They closed their set with a tune by legendary Detroit-born Afro harp player Dorothy Ashby (there was another tune of hers earlier in) that swung much harder than other tunes that evening and gave the opportunity for Strickland to add his only solo of the evening, which he took in a laid-back manner, concentrating more on the drums than the cymbals.

Except for Colombia’s Edmar Castañeda,  who takes more of a Latin-jazz approach to his playing, I had never heard jazz played on a harp – and until recently I had no knowledge of the work of Dorothy Ashby. Younger’s set was enjoyable and also educational, since it made me do some research jazz harp.

The evening was rounded out by a set with a saxophone trio featuring  Jack

DeJohnette, Ravi Coltrane and Matthew Shepard.

 

 

Concert Review: IBEYI, Sudan Archives and Orion Sun at BRIC Celebrate Brooklyn, June 08, 2019

by Ernest Barteldes 

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Orion Sun +Sudan Archives + IBEYI 

BRIC Celebrate Brooklyn 

Prospect Park Brooklyn, NY 

June 08, 2019 

 

On what turned out to be one of the warmest night in June in New York as of this writing, Philadelphia-based Orion Sun took to the stage with DJ Haram, who relayed backing tracks for her to sing to – something not usually seen in a large stage like the Prospect Park Bandshell, where artists usually bring a larger ensemble instead of backing tracks. Her original music is very soul-inspired with a touch of melancholy 

During a portion of the set she played electric guitar, and rapped a bit on one of her numbers. Orion Sun has a lot of talent, but she clearly is not used to dealing with such a big audience – she seemed to focus on the audience up front, and did not engage with the crowd in general, so by the fourth number she had already lost most of them, who were by then chatting and pretty much ignoring her set, as good as it was.  

She was followed by Sudan Archives, another one-woman show that came on stage playing a violin, looping various sounds together to form her music, blending them with pre-recorded beats. Her music is a mix of influences, including a Saharan cry among other Afro-Centric beats.  

She expresses pain through her music, throwing some feminist ideas with a fresh, native feel. She was far more engaging than the previous artist, but again the venue was a bit too big for a one-person act that would be more suitable for a smaller stage.  

That changed with IBEYI – a duo formed by French-Cuban twin sisters Lisa Kaidé and Naomi Diaz, who came with their electronic sounds and percussion but also the participation of a small choir. They do some fantastic harmonies and also have great chemistry together.  One of the highlights was “By The Pussy,” a response the words spoken by then-candidate Trump on the infamous hidden camera video that came out during the 2016 campaign. Another great moment was the feminist anthem “No Man Is Big Enough for My Arms,” an uptempo tune that got everyone moving at once. 

The duo knows how to handle a bigger audience, and did a great job on that Saturday night, engaging the audience and communicating effectively with the crowd, which made for a satisfying experience.  

Music to Listen to in June: Bryant Park, BRIC Celebrate Brooklyn and Summerstage

By Ernest Barteldes 

In spite of a few rainy days and chilly mornings, June is finally here and with it comes the much-awaited outdoor concert series throughout the city at venues such as BRIC Celebrate Brooklyn (which opened on June 4th with an appearance by the great Patti LaBelle, while at Summerstage in Central Park things kicked off that same night with a lineup headed by the also legendary George Clinton & Funkadelic – making this season a promising one.  

Here I have some recommendations for the month of June, highlighting the free concerts. There are several benefits, but they are mostly sold out and honesty they don’t need my input about them anyway. For more details, please refer to the hyperlinks. 

On Friday, June 7th the music of the Caribbean is celebrated at The Bryant Park Latin Festival with a dance party that will include bachata, merengue and salsa. Headlined by La Sonora Nuyorkina and several guests, the five-hour event should be quite interesting – especially for lovers of Latin Music 

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IBEYI

On June 9thBrooklyn receives Cuban-French twins Lisa-Kaindé and Naomi Díaz, who together form IBEYI. They are the daughters of late conguero Miguel “Anga” Diaz, a member of The Buena Vista Social Club. Their music is a blend of traditional and modern music, ranging from hip-hop to Yoruba and much more in between. The evening is rounded out by Philly-based one-woman band Orion Sun and Sudan Archives, the latter who also blends traditional and contemporary music into his music.  

The legacy of the great saxophonist John Coltrane is remembered with a concert in Central Park on June 15th featuring an all-star lineup of jazz musicians: The Coltrane – De Johnette – Garrison Trio, formed by Ravi Coltrane (John and Alice Coltrane’s son), veteran drummer Jack DeJohnette and bassist Matthew Garrison. The opener will be jazz cellist Brandee Younger, It is one of these concerts that is not to be missed. 

The Stonewall Riots that were seminal for the early days of the quest for LGBTQ rights in America (although there had been a solid movement going on for quite some time before that)  celebrates its 50th anniversary in 2019, and this is commemorated with multiple events – at Summerstage, the all-male comedy ballet company, Les Ballets Trockadero de Monte Carlo, perform classic works from their own perspective using great humor and class.  

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Musiq Soulchild (Ernest Barteldes)

Sheila E. is probably best known for her association with Prince in the 80s, but she has had a long career of her own both as a bandleader and a sidewoman for the likes of Marvin Gaye, Ringo and His All-Starr Band and Beyonce, to name a few. For this night, dubbed “Only in Queens Festival,” she leads a band that includes contemporary soul singer Musiq Souchild and local Queens dancehall artist Kranium 

Les Negresses Vertes is a French alternative band with a long history dating back from the 80s. formed by a group of Parisian friends with no serious professional backgrounds, they were originally led by singer-songwriter Helno, but his time in the band was brief- he was a heroin addict and ultimately died from consequences of his drug abuse in 1993. After some lineup changes following his death, the band continued performing and adopted a more dub-influenced sound. They will be heading the lineup for Fete de la Musique on Sunday, June 24 in Central Park.

Chucho Valdés is undoubtedly one of the greatest Cuban pianists of his generation – following in the footsteps of his father, Bebo Valdés (1918-2013) and the father of Chuchito Valdés, he is one of the most respected musicians from his country, and one of the most innovative as well. Still active at 78, he recently released Jazz Bata 2, a sequel of sorts of his seminal 1972 album of the same name. Sharing the bill is Cuban-born, New York-based drummer Dafnis Prieto, another creative voice  that takes the music to the next generation. They appear at Celebrate Brooklyn on June 26.  

The month closes with Concha Buika, a fantastic Spanish singer with a dramatic voice that blends flamenco, jazz, Afro-fusion and R&B into her unique sound. She has collaborated over the years with the likes of Portuguese fado singer Mariza, Brazil’s Ivan Lins and many more. She is one of the few Afro-European flamenco singers out there, and she represents all of her heritage without losing her signature dramatic sound that is recognizable the moment you hear her voice. Buika appears at Celebrate Brooklyn on June 30