What to hear in July: Summerstage, BRIC Celebrate Brooklyn and Bryant Park

By Ernest Barteldes

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Esperanza Spalding – July 30 at Celebrate Brooklyn

July is one of the busiest months in the summer outdoor concert schedule here in New York, and I am one who fully enjoys this – First of all, the Latin Alternative Conference comes to town, bringing tons of Latin talent both to Celebrate Brooklyn and Summerstage (plus many other venues – it’s a music smorgasbord for sure), so things get even more interesting.  Not only that, the public pools are also open so there is a lot to do even if you want to spend the hot days in a lazier fashion.

As I did before, I am only highlighting the free shows, since the ticketed benefit concerts are either sold out or have their own publicity machine behind them – it’s not like they need the likes of me.  For detailed times and locations please refer to the hyperlinks included here.

Things kick off on July 1st in Central Park with a celebration of French and American jazz with a lineup that simply doesn’t feel enough for a single evening, including gypsy guitar virtuoso Stephane Wrembel,  upcoming jazz/pop singer Kat Edmonson and singer Catherine Russell alongside bandleader extraordinaire Vince Giordano. It should be one hell of the night which as usual I am missing because I have plans out of town.

Over at Celebrate Brooklyn Musiq Soulchild does free concert on July 7th – he is regarded as one of the best soul singers of his generation and deserves it – his delivery is fantastic and so is his performance – I expect it to be packed that night.

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Jimmy Heath

On July 8th jazz great Jimmy Heath heads to Queens with his big band – the man has played with the likes of John Coltrane, Dizzy Gillespie and Miles Davis (to name a few) and is still here to tell the tale. Look forward to lots of bebop but also contemporary and straight-ahead jazz.

Those not willing to head all the way to Queens that night might want to check out New York’s own Mariachi Flor de Toloache and cumbia queen Totó La Momposina in Central Park. I heard the former during an LAMC concert at Celebrate Brooklyn  few years back – from what I remember it was a lively concert that paid tribute to the traditions of the music of their native Mexico but also looked ahead, using  complex vocal arrangements a few tunes in English; some songs were played with the addition of the cajón and also the ukulele, which both enhanced the songs and gave them an intriguing, innovative sound.

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Mon Laferte

The LAMC kicks off on July 12 in Central Park with Puerto Rico’s ÌFÉ, New York’s own Princess Nokia (an interesting use for the virtually defunct cellphone brand, no?) and Chile’s Mon Laferte, a self-taught powerhouse of a musician who blends electronic, rock and R&B in her own unique manner – her video for “Amarrame” (feat, Juanez) is on heavy rotation on Latin music channels (I happened to catch it while vacationing in the Dominican Republic a few weeks ago), and I really want to see how this translates in a live format

The late Fela Kuti is celebrated in music and theater for his contribution to what became the Afrobeat movement, and his legacy is being memorialized on July 16 in a concert  that brings together his son Seun Kuti and Roy Ayers, one of the elder Kuti’s many collaborators during his career and beyond – Ayers is one of the godfathers of the neo-soul movement and a highly respected artist in his own right.

I can’t remember the last time I heard Mali’s Amadou & Mariam on stage – I recall it was at Summerstage about a decade ago when I was still writing for the now-defunct Global Rhythm and New York Press. They are a married blind duo who play their own brand of African blues, and have this magical sound to them. It will be good to catch them again after all this time in Brooklyn on July 21st

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Accordion Festival 

On the same day, The Accordion Festival – closing up the Accordions Around The World program happening in Bryant Park – takes place, with tens of players over a five-hour period. Something for those who want to hang in midtown Manhattan and have a good time.

During her tragically brief career, Amy Winehouse left us a memorable canon of songs over two albums (only one released in the US market) and (as far as I know) a single guest appearance – her last recording – on Tony Bennett’s Duets II album. Her music is certainly remembered, and will be the basis for the program developed by BalletX / YY Dance Company on July 26 in Central Park.

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Andrew Bird

The month closes in Brooklyn (July 30)  with two of my favorite young musicians: multi-instrumentalist, whistler and vocalist Andrew Bird, who I discovered in a completely unusual way: on the soundtrack of the 2011 Muppets movie, Towards the end of the movie, newcomer Walter did a surprise performance of “The Whistling Caruso” – which was actually played by Bird.

The other favorite is Esperanza Spalding, the genre-bending bassist who began her career doing avant-garde jazz and then went on to make extremely diverse albums that explored a variety of sounds, going from straight-ahead jazz, soul and more recently Emily’s D+Evolution (Concord), an experiment that blends musical theater, jazz, funk and much more – something that some fans heralded and others failed to fully comprehend (me being the latter) – when she first emerged, Spalding was a breath of fresh air in the jazz world, and continues to evolve throughout the years – I can only imagine what she is going to bring to the fore this time.

Concert Review: Dr. John & the Night Trippers at Central Park Summerstage

By Ernest Barteldes

Dr. John at Summerstage

Dr. John at Summerstage

Dr. John & The Night Trippers

Central Park Summerstage

August 1, 2015

New York, NY

It was a hot Saturday afternoon when Renata and I headed to Rumsey Playfield – I was excited about New Orleans legend Dr. John’s appearance there – I had really enjoyed Ske-Dat-De-Dat The Spirit Of Satch (Concord), his recent tribute to Louis Armstrong released late last year, and was looking forward to hearing the music played live. We arrived a bit too late to catch much of Amy Helm‘s (the daughter of the late Levon Helm) folksy set, but enjoyed the last few songs as we settled on our seats.

The Night Trippers  started out with a funk-inflected melody  – the four-piece ensemble directed by  his backup singer and trombonist Sarah Morrow, an energetic woman who asked the audience if “anyone needed a doctor.” Seconds later, Dr. John emerged on stage and walked to the piano (assisted by a cane) for a spirited rendition of “Iko Iko,”  one of the staples of his live sets. He kept the energy level high, pounding the piano with gusto and sometimes semi-rapping through the lyrics.

There was a lot of improvisation throughout the set – Morrow played extended solos, and Dr. John also exercised his great piano skills, stretching some numbers to as much as 10 minutes. He did not really delve into the music from the Armstrong tribute, but did include “What a Wonderful World”  and “Mack the Knife” played closely to the arrangement on the disc.

Sarah Morrow, Musical Director for Dr. John

Sarah Morrow, Musical Director for Dr. John

The only part of the set I didn’t really enjoy was when he picked up the guitar – his playing was a bit slow and lacked energy  (probably owing to the damage he sustained after a gun accident in the 60s) – but when he returned to the keys for numbers like “Good Night Irene”  you could virtually see sparks fly. Most of those in attendance were clearly longtime fans who sang along to many of the tunes (I was not familiar with many of them).

Dr. John is known for playing longer sets, and he did not disappoint – by the time he got to the closer “Such a Night,”  almost two hours had passed. It was not easy to be under the sun for such a long time, but it was definitely worth it to catch such a legend on a live format.