Music Preview: Bibi Ferreira at Symphony Space, New York City

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By Ernest Barteldes

Bibi Ferreira

Tuesday, Sept. 20 & 23

Symphony Space

8 PM

I have known about the legendary Brazilian diva Bibi Ferreira for a very long time – she has a long history as a singer, producer, actress and director going from the 1940s to present. She is still active in spite of being 94 years young – and gives no signs of slowing down anytime soon.

I did two interviews with her for The Brasilians over the past few years and was surprised not only by how articulate she was on the phone and also by her fantastic memory – she can remember details of shows she did generations ago as if she had walked out of stage five minutes ago. I was even more amazed to hear her live at Alice Tully Hall – hard to believe is was her New York debut – and heard her sing an array of hard tunes ranging from Verdi to Chico Buarque and Piaf – as if they were nothing.

And then there was Liza Minelli’s hilarious surprise appearance, when they shared the mike for a snippet of “Theme from New York, New York” – a tune made famous by Frank Sinatra but actually introduced by Minelli (go ahead, Google it) in 1972.

On her current show Four Times Bibi, she pays tribute to fado queen Amalia Rodrigues, Piaf, tango legend Carlos Gardel and none other than our own Frank Sinatra – an evening that will bring together various genres together in what promises to be nothing short of amazing – a show that is not to be missed.

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Disc Review: Altas/Tiempo de Bestias

By Ernest Barteldes

The band formerly known as Panal S.A. de C.V. (a  Colorado-based trio formed by Enrique Jimenez, Juan Carlos Flores and Israel Jimenez)  defines itself as an experimental instrumental band, but I see them as more than that. Their songs could easily lend themselves to extended jams that could go beyond the confines five or six minutes of the seven tracks on their (sort of debut) EP Época de Bestias.

 The album kicks off with “Altepetl,” a distortion-heavy rocker reminiscent of the early days of Black Sabbath with a touch of psychedelics. There are no virtuoso moments – guitars scream at you with gusto as to announce that the show has begun. Things move into a different direction with “Aokigahara,” a trippy tour-de-force  in which electronics plays a central role around  guitars and jazz-inflected drums. My personal favorite is “Black Sand,” a tune that is quite surprising. A gentle piano starts the song out, and then for a while the song evolves into a progressive-style ballad. Around the fifth minute things completely change and things become much heavier with a greater emphasis on guitar and drums.

“You Knew I Was A Snake” begins with a snippet of a Spanish-language oath of office of a Mexican president (not sure who that was, but by the sound it seems like something quite ancient) that introduces an uptempo number based mostly around keyboards.

I have run into band member Enrique Jimenez various times during the annual Latin Alternative Music Conference in New York City, but they have never (to the best of my knowledge) participated in any of the showcases. I think it is time for the organizers to give these guys a shot, because it is clear their time has come.

To purchase the album visit http://www.altasiscoming.com/