July Preview: What to Listen and Watch in the Midsummer

By Ernest Barteldes

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Aterciopelados, LAMC at Summerstage, July 11

July comes with even hotter temperatures but also brings a full calendar of outdoor shows in many locations. Again, as we did on previous months, we will focus on shows that are either free of charge or with a suggested donation, as is the case with most performances at the BRIC Celebrate Brooklyn and at Summerstage.

At Bryant Park, the Summer movie series continues with a program that includes classics like Carrie (the Original 1976 with Sissy Spacek and a very young John Travolta), Coming to America and Goodfellas among some lesser-known titles. Films begin at sunset, but you should come early, since space in the grass is occupied as early as 6:00 PM.

The month of July marks the celebration of the 20th Anniversary of The Latin Alternative Music Conference, a citywide event that includes various showcases, panel discussions and other goodies, but for the general public there are free shows around the city. These performances include an opening show at Central Park Summerstage headlined by Mexico’s Ximena Sariñana  (Wednesday, July 10th at 5 PM), one of the most respected young pop artists in her native country. Her style brings to mind girl-power singers like Avril Lavigne and (if you think of the 90s) Alanis Morrissette. Also on the bill are iLe and Nathy Peluso. The following day, LAMC will host a showcase in Queensbridge Park (July 11th) featuring legendary Colombian band Aterciopelados, Diamante Electrico and DJ Dayansita

Later in the weekend the conference moves to Celebrate Brooklyn, where Guatemala’s Gaby Moreno (Prospect Park, July 12th) a bilingual artist that mixes pop and traditional sounds  will be sharing the bill with Mexico’s Enhambre and El David Aguilar, and then things move back to Central Park (Saturday, July 13th) with tith a big 20th anniversary party featuring Vicente Garcia, ChocQuibTown, Macaco & Guaynaa. On the same evening, Malian living legend Salif Keita will headline at Prospect Park – making it one heck of a busy weekend if you plan on attending every show.

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I’m With Her, Celebrate Brooklyn July 18

Sara Watkins, Sarah Jarosz, and Aoife O’Donovan are three artists with respectable careers in their own right, but when they get together for their “Supergroup” I’m With Her things get far more interesting, as they use more harmonies and musical textures that go beyond their solo works. Opening the evening is Darlingside, a four-piece group from Boston that takes inspiration from 60s groups like Crosby, Stills, Nash & Young and Simon & Garfunkel but put their own personal imprint, being both retro and contemporary at the same time. (BRIC Celebrate Brooklyn, July 18).

I’ve heard Chilean-French rapper Ana Tijoux multiple times over the years, going from her rather raw debut appearance at LAMC almost a decade ago to her more evolved, social justice-conscious phase, where her angrier raps became more melodically intricate.  She continues to evolve, so don’t expect her to simply rap to the beats in her breakout hit “1977.” She has a deeper, more powerful message these days. (Summerstage at Corporal Thomas Park, July 20)

One of the biggest hits on Broadway in recent years, Fela! The Concert celebrates the times and music of iconic Afrobeat founder Fela Kuti with a ten-piece band, dancers and singers – some who were part of the original production – a great opportunity to watch the show again or for those who missed it to actually watch it for free. (Summerstage at Coney Island, July 26 and July 31 at Central Park)

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Alceu Valença, July 27 Brazil Summerfest at Summerstage

Brazil Summerfest is a two-week long festival that celebrates everything Brazilian, kicking off with a free street fair featuring traditional music, food and even some artisanal works. There are several ticketed shows, panel discussions and movie screenings throughout the event, including a free show at Central Park Summerstage featuring Alceu Valença (July 27), a legendary singer-songwriter in Brazil but who hardly ever performs in the US (at least from memory, I cannot recall ever hearing of him performing Stateside in the two decades I’ve been here). His music is a blend of traditional Northeastern beats with theatrics and rock. He is a consummate perfectionist in spite of his eccentric stage persona – I once saw him stop a show because the sound was not of his liking, but he did apologize to the audience for that, and later gave a stellar performance after the problems were solved.

August is also promising as Celebrate Brooklyn, Summerstage and Lincoln Center Out of Doors continue their free programs – tune back in at the end of July for some cool recommendations.

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An Afternoon at the 11th Edition of The Polish Film Festival

11th Polish Film Festival

Anthology Archives

May 2, 2015

By Ernest Barteldes

I am an occasional fan of Polish movies, and have been way before I even met Renata (most assume my interest is because of our relationship, but the fact is that I had been exposed to the music and cinema of Poland years before I met her), but for some reason I had never attended any of the 10 previous editions of the NY Polish Film Festival – something I remedied this year.

When I heard about the event , I invited a number of friends to go, but few responded. I looked up the schedule and found one by Jerzy Stuhr, a director whose career I have erratically followed  since I saw his Love Stories (Historie miłosne, 1997), a clever film that he wrote, directed and starred in, playing four different characters who are given a life choice – and the consequences that come with those decisions.

I went alone on Saturday afternoon (Renata had another commitment at that time) to catch Stuhr’s latest film, “Citizen”(Obywatel), a satire about a man who grew up within the confines of the Polish communist government and then has a hard time adapting to the new reality, losing break after break until one unexpected turn comes around.

We see the story mostly through flashbacks – Sturh’s character has a debilitating accident early in the film and then we see his life all the way from his days as a young man (played by his son, Maciej) all the way to present time – and his current predicament.

I feel that Stuhr has a very similar style to that of Woody Allen – he takes current events in his country and builds highly personal stories. For instance, Sex Mission borrowed from Allen’s “The Sleeper” and then expands to something way deeper.

After a brief break that included Zwiec beer and some snacks, Renata and our friend David joined me for the next film, “Gods,” a story based on the true story of Zbigniew Religa (Tomasz Kot) the doctor who performed the first successful heart transplant in Poland.

The story follows Zeliga’s battle not only with authorities but also the frame of mind of the time – that the heart might be somehow a sentient organ, and that a transplant would at least be likened to stealing someone’s soul.

“Gods” was superbly acted and made, reflecting with accuracy the time but also the politics behind medical advancement in Poland during communism. No wonder the film was awarded Best Film at the end of the festival. In addition, Kot was deservedly  awarded best actor for his amazing performance.