What to Hear in August: BRIC Celebrate Brooklyn, Bryant Park, Brasil Summerfest, SummerStage and Charlie Parker Jazz Festival

By Ernest Barteldes

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I kind of hate the month of August, because that is when most of the outdoor events begin winding down – Celebrate Brooklyn wraps halfway through the month, while SummerStage continues hosting free shows until pretty much the end of the month, capping the program with the Charlie Parker Jazz Festival in Harlem and the East Village, the locales of reference for the annual event in honor of one of the heroes of the bebop era.

For those who missed it in theaters (and still haven’t watched it at home), Creed tells the story of Donnie Johnson – the illegitimate son of Apollo Creed – who goes after his own dream of becoming a champion boxer. To help him on his quest, he seeks the help of an aging Rocky Balboa to become his coach –  possibly closing the Rocky saga. The movie will be screened with a live score performed by The Wordless Music Orchestra conducted by its composer Ludwig Gorannson. Opening the evening is a selection of Gospel music by Frank Haye & The Interdenominational Choir – should be a good one and I will certainly be in attendance (Celebrate Brooklyn, Aug. 4)

Things take a Brazilian flavor at Summerstage with the kickoff of Brazil Summerfest, a weeklong event that showcases various  talents from my other country: legendary singer Elza Soares – still unstoppable at 80 – headlines an afternoon at Central Park that also features Youtube-discovered Linkner e os Caramelows and a DJ set by Teleseen. During the following week there will be concerts in various venues featuring Forro in the Dark (Brooklyn Public Library, August 9).  Aline Muniz (Joe’s Pub, August 10), Zabele ( The Django, August 13) and many others, ending with a massive Brazilian-inspired street fair  (Hester Street Fair, August 14) .

Bryant Park continues its summer program with a concert by the Asian Cultural Symphony to the US – an ensemble of more than 60 musicians, followed by Shoko Nagal’s TOKALA, which explores sonic influences from classic and contemporary Asian sounds (August 11, Bryant Park)

Most people know about Senegalese singer-songwriter Youssou N’ Dour from his iconic tune “7 Seconds,” but  he is beloved among World Music lovers – he has a long career that includes many records and countless collaborations with artists from across the globe – a fitting closing to what has been a stellar run at Celebrate Brooklyn (August 12, Celebrate Brooklyn)

Taj Mahal and Keb’ Mo’ are blues legends in their own right, and I cannot wait to hear how they sound as they join forces – it is sure going to be a meeting of generations and it is a show I am sure not to miss under any circumstance – just imagine how much great music will come from those two together on stage. (Central Park, August 13)

I have heard Anat Cohen in various formats both as a side player with Duduka Da Fonseca with her two brothers in their Three Cohens ensemble  and also leading her own chorinho-inspired group. She is a phenomenal clarinetist and at The Charlie Parker Jazz Festival she will be leading her Tenet in a program that will include her many influences, going from Brazilian to Middle Eastern and some New Orleans material in between (Marcus Garvey Park, August 25)

We wrap up the list with quite a stellar line-up of saxophonists: Joshua Redman, Lou Donaldson and Tia Fuller will close the Charlie Parker Jazz Festival – one can’t help but wonder if they will get together at the end of the day for an improvisational threesome. It might be unlikely, but one can only hope — and then we go over to Labor Day with a nice taste of great music (August 27, Tompkins Square Park)

Live Review: Anuhea at The Highline Ballroom, March 18, 2017

 

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article and photos by Ernest Barteldes

Anuhea

March 18, 2017

Highline Ballroom

New York, NY

I discovered the music of Maui-born Anuhea quite by accident. Shortly before Renata and I traveled to Hawaii, I started listening to a Hawaiian 105 KINE, a Honolulu radio station to get the place’s vibe, and one song made me smile whenever it was on their playlist. The song’s name was “Forever Summer,” a duet between Anuhea and Justin Young in which they sang about how it was always warm in the company of their significant other even if the weather was less than formidable.

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As someone who used to live in a tropical land and now has to face the reality of snow storms and a very short summer, I got the meaning behind the words, and started paying attention to the artist. I eventually got to know other tunes in her repertoire and ‘liked’ her page on Facebook, making a mental note to catch her live if she ever came to town.

To open the evening was indie singer-songwriter Mahi, who is also the guitarist for Anuhea’s band. Accompanied by his own Fender strat and drummer Revelation, he did a few covers – including Roberta Flack’s “Killing Me Softly” and an original ballad called “Be Mine.” He engaged the crowd by cracking jokes and also getting the audience to sing along to some of the tunes.

After a brief break, Anuhea took to the stage with her band (Mahi, Revelation and a bassist), playing reggae-tinged original tunes. Among the highlights was “Big Deal,” the first of her tunes to catch the attention of radio stations in Hawaii, and “A Simple Love Song,” a recent single whose video was actually shot during her first appearance in New York.

Her band has great chemistry together, and feed off each other quite well. They had wonderful three and four-part harmonies on many of the tunes, and that made for a very enjoyable experience. While she played mostly original material, she included a cover of Chaka Khan’s “Sweet Thing” with an arrangement closer to her own style. To my personal delight she included the aforementioned “Forever Summer” with Mahi taking over Justin Young’s vocal parts. There was a joke around the recent Disney cartoon “Moana,” and the band played a snippet of “How Far I’ll Go” as part of it to great response.

The set was short but highly enjoyable – I hope I get another chance to hear her live again soon.

Soul Rebels and Lettuce at Central Park Summerstage

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By Ernest Barteldes

Soul Rebels + Lettuce

Central Park Summerstage

Saturday, June 13, 2015

New York, NY

I had assumed the New Orleans ensemble would be closing this afternoon of music at Rumsey Playfield, so I ended up coming a bit late (due to significant subway delays) but was fortunate to have caught the final half of their set, in which they played their brass-heavy music with great ease and fluidity.

Among the highlights of what I was able to hear was an extended, creatively enhanced take on James Brown’s “Get on Up” that included several solos, and closing with Bruno Mars’ “Don’t Believe Me Just Watch” with a stronger blues-tinged feel.

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After a very brief break, Brooklyn-based Lettuce came on stage, kicking off their set with a very funky edge – focus was on the Hammond B-3 and guitars and their fantastic rhythm section with a strong funk-derived sound. At the same time, they stretched some of the tunes into extended jams that sometimes got tired, especially after having been exposed a more organic, soul-driven New Orleans sound.

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One of the highlights of their set, in fact, was when they invited The Soul Rebels to join them. It was then that the big, fat sound the marching band style band joined with the more electric Lettuce merged to get a new life – that allowed both bands to improvise freely and exchange smart riffs from a chemistry developed by touring together.

As the guests left the stage, it really felt like a bit of a lull – Lettuce never again picked up the same energy, and the music seemed to go into a more experimental direction that never really caught fire for me.  They are highly accomplished musicians but their sound just lost something to me – I hope to see them again in different circumstances to change my opinion.