Live Review: Anuhea at The Highline Ballroom, March 18, 2017

 

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article and photos by Ernest Barteldes

Anuhea

March 18, 2017

Highline Ballroom

New York, NY

I discovered the music of Maui-born Anuhea quite by accident. Shortly before Renata and I traveled to Hawaii, I started listening to a Hawaiian 105 KINE, a Honolulu radio station to get the place’s vibe, and one song made me smile whenever it was on their playlist. The song’s name was “Forever Summer,” a duet between Anuhea and Justin Young in which they sang about how it was always warm in the company of their significant other even if the weather was less than formidable.

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As someone who used to live in a tropical land and now has to face the reality of snow storms and a very short summer, I got the meaning behind the words, and started paying attention to the artist. I eventually got to know other tunes in her repertoire and ‘liked’ her page on Facebook, making a mental note to catch her live if she ever came to town.

To open the evening was indie singer-songwriter Mahi, who is also the guitarist for Anuhea’s band. Accompanied by his own Fender strat and drummer Revelation, he did a few covers – including Roberta Flack’s “Killing Me Softly” and an original ballad called “Be Mine.” He engaged the crowd by cracking jokes and also getting the audience to sing along to some of the tunes.

After a brief break, Anuhea took to the stage with her band (Mahi, Revelation and a bassist), playing reggae-tinged original tunes. Among the highlights was “Big Deal,” the first of her tunes to catch the attention of radio stations in Hawaii, and “A Simple Love Song,” a recent single whose video was actually shot during her first appearance in New York.

Her band has great chemistry together, and feed off each other quite well. They had wonderful three and four-part harmonies on many of the tunes, and that made for a very enjoyable experience. While she played mostly original material, she included a cover of Chaka Khan’s “Sweet Thing” with an arrangement closer to her own style. To my personal delight she included the aforementioned “Forever Summer” with Mahi taking over Justin Young’s vocal parts. There was a joke around the recent Disney cartoon “Moana,” and the band played a snippet of “How Far I’ll Go” as part of it to great response.

The set was short but highly enjoyable – I hope I get another chance to hear her live again soon.

Soul Rebels and Lettuce at Central Park Summerstage

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By Ernest Barteldes

Soul Rebels + Lettuce

Central Park Summerstage

Saturday, June 13, 2015

New York, NY

I had assumed the New Orleans ensemble would be closing this afternoon of music at Rumsey Playfield, so I ended up coming a bit late (due to significant subway delays) but was fortunate to have caught the final half of their set, in which they played their brass-heavy music with great ease and fluidity.

Among the highlights of what I was able to hear was an extended, creatively enhanced take on James Brown’s “Get on Up” that included several solos, and closing with Bruno Mars’ “Don’t Believe Me Just Watch” with a stronger blues-tinged feel.

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After a very brief break, Brooklyn-based Lettuce came on stage, kicking off their set with a very funky edge – focus was on the Hammond B-3 and guitars and their fantastic rhythm section with a strong funk-derived sound. At the same time, they stretched some of the tunes into extended jams that sometimes got tired, especially after having been exposed a more organic, soul-driven New Orleans sound.

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One of the highlights of their set, in fact, was when they invited The Soul Rebels to join them. It was then that the big, fat sound the marching band style band joined with the more electric Lettuce merged to get a new life – that allowed both bands to improvise freely and exchange smart riffs from a chemistry developed by touring together.

As the guests left the stage, it really felt like a bit of a lull – Lettuce never again picked up the same energy, and the music seemed to go into a more experimental direction that never really caught fire for me.  They are highly accomplished musicians but their sound just lost something to me – I hope to see them again in different circumstances to change my opinion.