LAMC At Summerstage: Nathy Peluso and Ile

By Ernest Barteldes

Latin Alternative Music Conference

At Summerstage in Central Park

Nathy Peluso and Ile

New York, NY

July 10th, 2019

 

The heat and intense humidity in the air did not stop fans from flocking to Central Park for the first round of free shows scheduled at part of the 20th Anniversary of the Latin Alternative Music Conference in New York City, which featured Argentinean singer/rapper Nathy Peluso, Puerto Rican singer-songwriter Ile and Mexican pop singer-songwriter Ximena Sariñana.

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Nathy Peluso/Karlo X. Ramos

Peluso came on stage with a small backing band featuring a mix of soul, rock and hip-hop – featuring the latter during most of the set. She had great energy on stage, dancing along with the instrumental sections of every tune. One of the highlights came with a rap based on the chorus of the Cher hit “Bang (My Baby Shot Me Down),” whose English verses she sang herself.

The set also featured an instrumental mambo which she described as “the wonderful sound” showcasing her backup band, to whom she gyrated throughout, finally confessing that she is “a mambo killer” as a (probable) excuse for not singing it.

After a brief break, Puerto Rican singer (and former Calle 13 member) Ile took to the stage backed by a large band featuring trombones, percussion, bass, electric and acoustic guitars and drums featuring songs with strong Afro-Caribbean influence quite distant from what she did with her previous group. Her opening song had a strong political message, pointing fingers at those who oppress and try to silence the voice of her native land. She followed that with “Invenclble,” a tune with a pop-meets-Latin beat that she described as something she wrote to embrace her hormones and the realities of being a woman.

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Ile/Ernest Barteldes

She followed that with “Temes,” a bolero “against that patriarchy with the clear intention of destroying it,” with lyrics that repeatedly asked “why do you fear me?” in Spanish. Next came “Côncavo,” a bolero which descriptive lyrics that would probably be labeled “explicit” if it had been recorded in English, with subtle references to specific body parts and passions involving them.

Among the highlights was a tune that featured nothing but drums played by the entire group that highlighted the problems faced by Puerto Rico – she mentioned the recent arrests of top Puerto Rico officials over corruption charges, and ended the tune urging the audience to “stop voting for stupid people” without naming anyone in particular.

She closed the set with “Dejame Decirte,” a straight salsa written in collaboration with Eddie Palmeri – it was a great closing that highlighted Ile’s range, which goes from more folk-driven music to pop and pretty much every other Latin influence.

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Ile/Ernest Barteldes

July Preview: What to Listen and Watch in the Midsummer

By Ernest Barteldes

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Aterciopelados, LAMC at Summerstage, July 11

July comes with even hotter temperatures but also brings a full calendar of outdoor shows in many locations. Again, as we did on previous months, we will focus on shows that are either free of charge or with a suggested donation, as is the case with most performances at the BRIC Celebrate Brooklyn and at Summerstage.

At Bryant Park, the Summer movie series continues with a program that includes classics like Carrie (the Original 1976 with Sissy Spacek and a very young John Travolta), Coming to America and Goodfellas among some lesser-known titles. Films begin at sunset, but you should come early, since space in the grass is occupied as early as 6:00 PM.

The month of July marks the celebration of the 20th Anniversary of The Latin Alternative Music Conference, a citywide event that includes various showcases, panel discussions and other goodies, but for the general public there are free shows around the city. These performances include an opening show at Central Park Summerstage headlined by Mexico’s Ximena Sariñana  (Wednesday, July 10th at 5 PM), one of the most respected young pop artists in her native country. Her style brings to mind girl-power singers like Avril Lavigne and (if you think of the 90s) Alanis Morrissette. Also on the bill are iLe and Nathy Peluso. The following day, LAMC will host a showcase in Queensbridge Park (July 11th) featuring legendary Colombian band Aterciopelados, Diamante Electrico and DJ Dayansita

Later in the weekend the conference moves to Celebrate Brooklyn, where Guatemala’s Gaby Moreno (Prospect Park, July 12th) a bilingual artist that mixes pop and traditional sounds  will be sharing the bill with Mexico’s Enhambre and El David Aguilar, and then things move back to Central Park (Saturday, July 13th) with tith a big 20th anniversary party featuring Vicente Garcia, ChocQuibTown, Macaco & Guaynaa. On the same evening, Malian living legend Salif Keita will headline at Prospect Park – making it one heck of a busy weekend if you plan on attending every show.

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I’m With Her, Celebrate Brooklyn July 18

Sara Watkins, Sarah Jarosz, and Aoife O’Donovan are three artists with respectable careers in their own right, but when they get together for their “Supergroup” I’m With Her things get far more interesting, as they use more harmonies and musical textures that go beyond their solo works. Opening the evening is Darlingside, a four-piece group from Boston that takes inspiration from 60s groups like Crosby, Stills, Nash & Young and Simon & Garfunkel but put their own personal imprint, being both retro and contemporary at the same time. (BRIC Celebrate Brooklyn, July 18).

I’ve heard Chilean-French rapper Ana Tijoux multiple times over the years, going from her rather raw debut appearance at LAMC almost a decade ago to her more evolved, social justice-conscious phase, where her angrier raps became more melodically intricate.  She continues to evolve, so don’t expect her to simply rap to the beats in her breakout hit “1977.” She has a deeper, more powerful message these days. (Summerstage at Corporal Thomas Park, July 20)

One of the biggest hits on Broadway in recent years, Fela! The Concert celebrates the times and music of iconic Afrobeat founder Fela Kuti with a ten-piece band, dancers and singers – some who were part of the original production – a great opportunity to watch the show again or for those who missed it to actually watch it for free. (Summerstage at Coney Island, July 26 and July 31 at Central Park)

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Alceu Valença, July 27 Brazil Summerfest at Summerstage

Brazil Summerfest is a two-week long festival that celebrates everything Brazilian, kicking off with a free street fair featuring traditional music, food and even some artisanal works. There are several ticketed shows, panel discussions and movie screenings throughout the event, including a free show at Central Park Summerstage featuring Alceu Valença (July 27), a legendary singer-songwriter in Brazil but who hardly ever performs in the US (at least from memory, I cannot recall ever hearing of him performing Stateside in the two decades I’ve been here). His music is a blend of traditional Northeastern beats with theatrics and rock. He is a consummate perfectionist in spite of his eccentric stage persona – I once saw him stop a show because the sound was not of his liking, but he did apologize to the audience for that, and later gave a stellar performance after the problems were solved.

August is also promising as Celebrate Brooklyn, Summerstage and Lincoln Center Out of Doors continue their free programs – tune back in at the end of July for some cool recommendations.

LAMC Showcase at BRIC Celebrate Brooklyn

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Girl Ultra

LAMC Showcase at BRIC

Celebrate Brooklyn

Mala Rodriguez, Ana Tijoux & Girl Ultra

July 13, 2018

by Ernest Barteldes

On the Celebrate Brooklyn night of the 2018 edition of the Latin Alternative Music Conference, the audience was presented with three very different female voices with very distinctive styles that gave us a glimpse of what is going on in the Latin music scene.

Mexican R&B singer Girl Ultra (Mariana de Miguel) opened the proceedings backed by a simple band that featured keyboards, bass and drums, and she sang mostly original material. Early on the set, there were some technical problems with the keyboards, and instead of interrupting the set, she just began to improvise with the bassist and the drummer for about five minutes, creating music on the spot to the delight of the crowd, who got the chance to see the artist in an unfiltered format, just being creative with whatever she had in her mind at the moment.

Girl Ultra’s music is clearly inspired by contemporary R&B with a retro feel – she clearly draws from the likes of Mariah Carey and Whitney Houston but does not have their vocal power. She does, however, have tons of creativity with her vocals, and uses her limitations to her advantage. I believe what we heard was a diamond in the rough – she has great potential as an R&B singer, and I’m hoping to hear her more down the road.

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Ana Tijoux

She was followed by Chile’s Ana Tijoux, who has evolved incredibly from the first time I saw her at an earlier showcase at Central Park Summerstage. She started out with a Spanish-language song written in the 1970s that she said was “relevant to our times,” and was very vocal against the current U.S. administration. During the set she alternated between her earlier rap hits (which included her signature hit “1977”) and more melodic material. At one point, she brought in a violin trio for a tango-inflected tune called “Asaltemos a Un Banco” (“Let’s Rob a Bank”) which was followed by a “Somos Sur,” socially conscious number which she described (in Spanish) that “is about what Latin America is – it’s not a postcard, it’s about where we live. Our culture comes from the streets – to be Latin is all about the places.” Another tune talked about how the rich put the poor down by denying them access to education and dignity, inviting the listener to “join the fight” against racism and blind capitalism.

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Mala Rodriguez

Closing the evening was Spain’s Mala Rodriguez, who came accompanied by a DJ and two female dancers in very skimpy white outfits, delivering a set of dance-inspired music that seemed a bit out of step with the more acoustic nature of the previous sets, but audiences seemed to dig it – like in every LAMC night, it was an opportunity to hear diverse voices and get a feel for the direction of pop, rock and other genres within the umbrella of Latin Music.

Free Concerts: What to Hear in June

by Ernest Barteldes 

 

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Gregory Porter

As I have written before, the summer months are my favorite time of year – not only because we have the nice weather and the opportunity to grill or go to beach trips and also get to wear flip-flops to the supermarket (at least I do), it is also the time for the countless outdoor concerts that take place all over town that are for every taste. 

Ever since I moved to New York – eighteen years ago this year – I have been attending these shows and have lost count of how many I have seen. The other day Renata and I were going through old photos that I covered at Summerstage in those early years and I was shocked at how many prints I had (those were the days before going digital) and how many shows I’d pretty much forgotten about – something that happens when you attend more than 50 concerts a year – most during the summer season.  

This year’s season at Celebrate Brooklyn, Summerstage and other venues across New York City have incredible lineups, which I will write about over the next few posts, either previewing or reviewing for this blog or other pages.  

On this post I will highlight some of our picks for the month of June – but bear in mind I will only highlight the shows that are free of charge, so if you don’t see say, The Decemberists (June 13, Celebrate Brooklyn) on this list it’s because it’s a benefit event and you have to pay more than the suggested donation asked for at the door.  

If you want more information, check out the hyperlinks, which direct to the actual events’ pages.  

The month begins with jazz vocalist Gregory Porter (June 2nd, Central Park), who makes his second appearance at the event (he also made an appearance at Celebrate Brooklyn in during the 2016 season). his deep baritone gets your attention at once, as I discovered when I first heard of him back in the day when Starbucks gave tunes out for free every week. I heard him at Summerstage in 2015 and was fascinated at his command of the stage and am eager to hear his music again in a live format. 

 

We then head to Prospect Park Bandshell for their opening night on June 6th, when rapper, actor, activist and Oscar Winner Common gets the party started for Celebrate Brooklyn. Little needs to be said about him – he has been a mainstay in the hip-hop scene since the 90s, but more recently he has reached mainstream audiences – never mind the song “Glory,” which earned him an Oscar AND a Golden Globe alongside John Legend.  

 

David Bowie left us too soon back in 2016 (what a shitty year that was for music, by the way) but left us one last gift: his much appreciated album Blackstar, released a few days after his passing. In tribute to the great musician and actor, an orchestra led by Evan Zyporin featuring cellist Maya Beyser will play the album in its entirety (June 9th, Central Park) in a show entitled Bowie Symphonic – the evening will also feature The Donny McCaslin group, who played with Bowie on that final album.  

 

One of the most memorable shows I attended at Summerstage was back in 2008 (has it been that long?) when Los Lobos played alongside Los Lonely Boys. It was a soggy night in which the rain did not relent – everyone got absolutely soaked but no one left until the last song was played. They have a high-energy set that include their most danceable hits that had everyone engaged to the very end – and yes, they included their 80s cover of La Bamba, from the movie of the same name. They return to New York for what promises to be a lovely afternoon in Brooklyn (Celebrate Brooklyn, June 10). 

I first saw Rhiannon Giddens solo work at Celebrate Brooklyn in 2015 – before that, I had seen her with her band, the Carolina Chocolate Drops, at a showcase at GlobalFest (don’t ask when, I can’t remember). It was a lovely show that featured roots Americana and folk music coupled with some historical themes. It should be another interesting evening for sure (Central Park, June 16)   

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Mariza

I can’t tell you how many times I’ve written about Mozambique-born fado singer Mariza over the years – one of the few artists I wrote about for a European magazine. But to call her simply a fadista is unfair – on her latest works, she has incorporated elements of jazz, pop and other rhythms but without losing touch with her roots. And her chosen genre is best heard in an outdoor format (just check out her Concerto Em Lisboa DVD) instead in theaters. She is a sensational, emotional performer and this is one performance you should not miss. (Central Park, June 23) 

 

<p><a href=”https://vimeo.com/201866719″>Mariza – Concerto em Lisboa</a> from <a href=”https://vimeo.com/user62259790″>eduardo carrasco pontes</a&gt; on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p> 

Closing our picks for June is Branford Marsalis, one fifth of the New Orleans’ “Royal Family of Jazz,” who will be playing two sets with his longtime quartet, bookending Roger Guenveur Smith’s one man show, Frederick Douglass Now. This is another show you shouldn’t miss (Celebrate Brooklyn, June 29) 

Music Preview: GlobalFest 2018

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Mariachi Flor de Toloache

By Ernest Barteldes

Although the weather might be less than inviting in New York in January with record cold temperatures, snow and sleet, it is also the month when various important cultural events take place – one of them being the World Music smorgasbord known as GlobalFest, which this year takes place at B.B. King’s Blues Club and its adjacent bar Lucille’s Grill and Liberty Theater across the street.

For those who have never been to the event, GlobalFest is a six-hour long event that brings together several artists from around the globe who showcase their music to an audience made up of music journalists, label scouts and curious fans willing to know “what’s next” in the scene.

Few of the artists on the list are necessarily household names Stateside – in fact, I had only heard about one of them, New York-based Mariachi Flor de Toloache, who I heard at Celebrate Brooklyn as co-headliners with LAMC in 2013 and as special guests with Mexican-American singer Lila Downs in 2016.

 

That, however, is the entire point of the festival – to introduce these musicians to U.S. audiences and specially bookers in search of acts to perform in their own festivals and venues. Over the years, I recall hearing then lesser known artists such as Lenine (then already a star in his native Brazil), Cambodian retro pop outfit Dengue Fever, Cape Verdean singer Sara Tavares and yes, a then up-and-coming Lila Downs, who graced the stage (then at Webster Hall) back in 2007.

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La Dame Blanche

Sure, there were many others who came and went without making much noise in spite of good performances, but this is a golden opportunity not only for artists to be discovered but also for many of us music fans to get to know artists that we would not otherwise be exposed to, especially when many of us fail to diversify our listening habits more and more as we stream music that we are comfortable with.

GlobalFest takes place at BB King’s Blues Club and Liberty Theater. For more information, visit http://globalfest.org.  Click here for info on the lineup, and tickets can be had here

Weekend Music in Review: Frank Haye & Brooklyn Interdenominational Choir at BRIC Celebrate Brooklyn, Brazil Summerfest featuring Elza Soares and Liniker & Os Caramelows at SummerStage in Central Park

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Brooklyn Interdenominational Choir

By Ernest Barteldes 

 

Frank Haye & The Brooklyn Interdenominational  

Gospel Choir 

BRIC at Celebrate Brooklyn 

August 4, 2017 

 

The Brooklyn Interdenominational Gospel Choir  – backed by keyboards, bass, guitar and horns – opened their short set by blending secular and Christian music, including snippets from Nina Simone’s “Ooh Child,” Kool & The Gang’s “Celebration” and the Temptations’ “My Girl” and then drifting into a bluesy slow-tempo religious tune that set the tone for the remaining of their set – the music went in various directions, and included a song that challenged the singer as the key was modulated several times.  

One of my favorite moments was a country-inspired number whose lyrics spoke about self-doubt and finding your faith in spite of everything – which then went into the grand finale with the classic “Oh Happy Day” featuring a contralto that blew everyone away with her great energy and vocal prowess.  

The concert was followed by a screening of Creed with a live score performed by the Wordless Music Orchestra, which will be returning to the Prospect Park Bandshell on August 10 for a performance backing Selma fronted by Jason Moran 

 

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Liniker & Os Caramelows

Linikner & Os Caramelows + 

Elza Soares 

Brazil Summerfest at SummerStage 

In Central Park 

August 5, 2017 

 

The annual Brasil Summerfest – a weeklong festival showcasing Brazilian talent –  kicked off at SummerStage with Liniker & Os Caramelows, a large ensemble led by dress-clad Liniker Barros, a powerful singer who prefers to be considered genderless – on an early interview with a Brazilian newspaper, Liniker identified as “gay, black and poor” but hell the band can swing! Their music navigates from blues to funk but their roots are deeply rooted in Tropicalismo – Brazil’s response to Psychedelics that made musicians like Caetano Veloso, Gal Costa and Baby Consuelo household names in their native country. 

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Elza Soares

Elza Soares came on with a selection of music from “Mulher Do Fim Do Mundo,” her first release in over a decade. As Sao Paulo’s Folha de Sao Paulo noted, fans who were hoping to hear familiar sambas might have been a bit disappointed as she focused on new material – she sang seated on a a throne because of current back problems – but it was a stellar performance nevertheless. Due to current political problems in Brazil, the event was politically charged – some fans were screaming “Fora Temer” throughout the set (because many on the left want to get rid of embattled conservative president Michel Temer) – something she encouraged between songs.  

Soares acknowledged the “young Sao Paulo musicians” who made her album possible and kept on going with more alternative material – fans in the audience seemed well-schooled in the material and sang along with every song. Soares did veer into some more traditional material towards the end, but this was definitely her statement – she was not interested in rehashing the past but to look to the future instead – this was definitely not your grandma’s Elza Soares.

SummerStage in Central Park: Chicano Batman & Los Pericos at LAMC

by Ernest Barteldes

Chicano Batman + Los Pericos

LAMC at Summerstage in Central Park

July 15, 2017

 

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Chicano Batman

Los Angeles-based Chicano Batman came on stage with their Psychedelic-inspired sound, complete with Mellotron-based tunes and a look more suited to Ed Sullivan circa 1968 then Central Park in 2017, but I guess that is the message they want to convey. Though mostly a quartet, they were often enhanced by a pair of backing vocalists – one whom took over the keyboards when lead singer Eduardo Arenas either stepped away from the mic to sing lead or played guitar.

I half expected this edition of the LAMC to be a bit political given the current divisions in the United States, but was surprised that no one spoke of walls or anything related to the current president in this country: it was all about the music and little else. The band instead took the opportunity to showcase as many of their influences as possible, including a Cumbia-inflected tune and a ranchera in which the bassist took over the guitar while Arenas took over the bass guitar.

Chicano Batman has great chemistry together, but it seems they are not yet ready to play large stages like Rumsey Playfield.  There is no doubt about their talent – their instrumental moments were quite great – but they seemed a bit overwhelmed about being before a numerous audience like the ones often seen there – I guess we are looking at diamonds in the rough, and would be happy to learn they’ve evolved in coming years.

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Los Pericos

After a short break, Argentina’s Los Pericos brought a mix of funk and reggae with a Latin take – I felt they were very influenced by Brazil’s Paralamas do Sucesso – that got the audience moving from the moment they played their first chord.  They had great energy and effectively communicated with the crowd by calling on the different nationalities represented there.

Los Pericos has been around for three decades, and their set reflected that experience: the music went from disco-inflected moments to salsa and various other rhythms while never losing touch with their original influences. Since there were many in the audience who had probably never heard of them, the band jam-packed their set with their best material so people could know what they were about.  A handful of their tunes were in English – with lyrics that either talked about heartbreak or romantic defiance – but most were in their native Spanish.

It was a wonderful afternoon – I just wish the weather on Friday had been a bit better so I could have caught the showcase at Celebrate Brooklyn the previous night – it would have made for a much better musical experience.

What to hear in July: Summerstage, BRIC Celebrate Brooklyn and Bryant Park

By Ernest Barteldes

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Esperanza Spalding – July 30 at Celebrate Brooklyn

July is one of the busiest months in the summer outdoor concert schedule here in New York, and I am one who fully enjoys this – First of all, the Latin Alternative Conference comes to town, bringing tons of Latin talent both to Celebrate Brooklyn and Summerstage (plus many other venues – it’s a music smorgasbord for sure), so things get even more interesting.  Not only that, the public pools are also open so there is a lot to do even if you want to spend the hot days in a lazier fashion.

As I did before, I am only highlighting the free shows, since the ticketed benefit concerts are either sold out or have their own publicity machine behind them – it’s not like they need the likes of me.  For detailed times and locations please refer to the hyperlinks included here.

Things kick off on July 1st in Central Park with a celebration of French and American jazz with a lineup that simply doesn’t feel enough for a single evening, including gypsy guitar virtuoso Stephane Wrembel,  upcoming jazz/pop singer Kat Edmonson and singer Catherine Russell alongside bandleader extraordinaire Vince Giordano. It should be one hell of the night which as usual I am missing because I have plans out of town.

Over at Celebrate Brooklyn Musiq Soulchild does free concert on July 7th – he is regarded as one of the best soul singers of his generation and deserves it – his delivery is fantastic and so is his performance – I expect it to be packed that night.

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Jimmy Heath

On July 8th jazz great Jimmy Heath heads to Queens with his big band – the man has played with the likes of John Coltrane, Dizzy Gillespie and Miles Davis (to name a few) and is still here to tell the tale. Look forward to lots of bebop but also contemporary and straight-ahead jazz.

Those not willing to head all the way to Queens that night might want to check out New York’s own Mariachi Flor de Toloache and cumbia queen Totó La Momposina in Central Park. I heard the former during an LAMC concert at Celebrate Brooklyn  few years back – from what I remember it was a lively concert that paid tribute to the traditions of the music of their native Mexico but also looked ahead, using  complex vocal arrangements a few tunes in English; some songs were played with the addition of the cajón and also the ukulele, which both enhanced the songs and gave them an intriguing, innovative sound.

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Mon Laferte

The LAMC kicks off on July 12 in Central Park with Puerto Rico’s ÌFÉ, New York’s own Princess Nokia (an interesting use for the virtually defunct cellphone brand, no?) and Chile’s Mon Laferte, a self-taught powerhouse of a musician who blends electronic, rock and R&B in her own unique manner – her video for “Amarrame” (feat, Juanez) is on heavy rotation on Latin music channels (I happened to catch it while vacationing in the Dominican Republic a few weeks ago), and I really want to see how this translates in a live format

The late Fela Kuti is celebrated in music and theater for his contribution to what became the Afrobeat movement, and his legacy is being memorialized on July 16 in a concert  that brings together his son Seun Kuti and Roy Ayers, one of the elder Kuti’s many collaborators during his career and beyond – Ayers is one of the godfathers of the neo-soul movement and a highly respected artist in his own right.

I can’t remember the last time I heard Mali’s Amadou & Mariam on stage – I recall it was at Summerstage about a decade ago when I was still writing for the now-defunct Global Rhythm and New York Press. They are a married blind duo who play their own brand of African blues, and have this magical sound to them. It will be good to catch them again after all this time in Brooklyn on July 21st

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Accordion Festival 

On the same day, The Accordion Festival – closing up the Accordions Around The World program happening in Bryant Park – takes place, with tens of players over a five-hour period. Something for those who want to hang in midtown Manhattan and have a good time.

During her tragically brief career, Amy Winehouse left us a memorable canon of songs over two albums (only one released in the US market) and (as far as I know) a single guest appearance – her last recording – on Tony Bennett’s Duets II album. Her music is certainly remembered, and will be the basis for the program developed by BalletX / YY Dance Company on July 26 in Central Park.

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Andrew Bird

The month closes in Brooklyn (July 30)  with two of my favorite young musicians: multi-instrumentalist, whistler and vocalist Andrew Bird, who I discovered in a completely unusual way: on the soundtrack of the 2011 Muppets movie, Towards the end of the movie, newcomer Walter did a surprise performance of “The Whistling Caruso” – which was actually played by Bird.

The other favorite is Esperanza Spalding, the genre-bending bassist who began her career doing avant-garde jazz and then went on to make extremely diverse albums that explored a variety of sounds, going from straight-ahead jazz, soul and more recently Emily’s D+Evolution (Concord), an experiment that blends musical theater, jazz, funk and much more – something that some fans heralded and others failed to fully comprehend (me being the latter) – when she first emerged, Spalding was a breath of fresh air in the jazz world, and continues to evolve throughout the years – I can only imagine what she is going to bring to the fore this time.

What to hear in June – Summerstage and Celebrate Brooklyn 2017

by Ernest Barteldes

 

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I don’t think I need to tell you how much I love attending outdoor concerts. As much as I appreciate our various indoor venues and how some of them go above and beyond to bring diverse voices to their stages, my one musical love is to stand under the hot sun – or the stars  – and enjoy some music without drink minimums or any other restriction regularly imposed by club managers.

For this reason, it is with great expectation that I look forward to the summer months when music comes outdoors, because these musicians have a chance to reach audiences they might never reach out to otherwise –  things would be segregated among the ‘jazz,’ ‘world’ or whatever pocket genre your next tastemaker might come up with.

Among the various events I love to attend are Summertage (once limited to Central Park but now a citywide event) and Celebrate Brooklyn – they are both works of love for all those involved, including this writer –   there is no price to pay for the many memories created by each of the shows I have attended over the years.

Which brings me to my selections for the month of June for both venues – but let me note that I am only commenting on the non-benefit shows – the others get plenty of coverage on their own without my help.

Summerstage gets things running on June 3rd with an opening event featuring the great Mavis Staples (remember “I’ll Take You There?” ), who I wrote about when she played at the same stage in 2008, generating one of the best quotes I have ever heard on stage in my life: “Mississippi is a great place to come from, but it is even a better place to get away from” following a rendition of “Down in Mississippi,” a tune that reminded us of the pain so many went through during the Jim Crow era, which she helped – at least legally – get rid of.

 

Over at Celebrate Brooklyn things begin to get interesting with some soul that brings together Alice Smith, Bilal and Kris Bowers (June 10th) ,all fantastic artists in their own right. Bilal is one of my personal favorites of the three due to his ability to bridge between genres, often contributing with jazz, Latin and rock artists and sounding comfortable among all of them.

Another legend – one of the engineers of funk – is George Clinton, who will be playing with his longtime band Parliament Funkadelic on June 11th  as part of the Only in Queens Festival (associated with Summerstage). It should be a magical night at Flushing Meadows Park in Queens, and will certainly be worth the ride on the 7 train.

Fête de La Musique (June 26th)  brings some new French music to the foreground – my personal highlight is German-born Ayo, whose 2006 debut single “Down on My Knees” has stayed with me and has also become attached to memories of a 2014 trip to Europe, when the song played at a restaurant in Krakow  – whenever I hear the tune it takes me back to that unlikely place in my life. It is a song in which the narrator pleads for her lover not to go away and reminds him (her?) of the things they have shared.

My great appreciation for Robert Glasper (June 25, Central Park)  is not a secret – I have reviewed his albums and live performances over the years. His approach to jazz is quite unique as he blends elements of jazz and contemporary music (hip-hop, soul) with a political edge – he collaborates with folks you don’t usually associate with jazz, such as Erikah Badu and Bilal, to name a few – and is humble enough to go on the road as a supporting musician for Maxwell – one of the pioneers of the contemporary sould movement.

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Lila Downs

June closes with Lila Downs (Celebrate Brooklyn, June 29) , who is one of my top 10 favorite female singers. She is one of the few musicians I know who can tackle pretty much any genre while staying true to her Mexican roots. I have been following her music since I saw her at a downtown concert in which she shared the bill with Brazil’s Luciana Souza – I was immediately hooked by her expressive voice and stage presence. I must have seen her live at least ten times since and am surely looking forward for this one.

Ernest’s Annual Christmas Music Roundup: Putumayo’s “Latin Christmas” and Bibi Ferreira’s “Natal em Familia”

By Ernest Barteldes

This is of course the time of year when you cannot walk into a store anywhere in the nation without hearing the familiar chimes of sleigh bells and the cheerful melodies of tunes like “The Christmas Song,” “O Holy Night,” “Winter Wonderland” (which I think does not qualify as a Christmas song in the first place)” to questionable hits like “Please Daddy Don’t Get Drunk” or “Last Christmas.”

It is also the time when everyone from Celine Dion to Ann-Margret attempt to give their own take on the music of the season – and it’s not only about artists desperate for the spotlight but many who don’t actually need it: for instance, all four Beatles released Christmas music during their solo careers (the worst being Paul McCartney’s “Wonderful Christmastime” and the best John’s “Merry Xmas – War Is Over”), and Queen did a Christmas single at the height of their fame (the dreadful “Thank God It’s Christmas”).

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As someone who writes about music, I am usually inundated with new Holiday-themed albums starting from as early as July (one year I got one before Memorial Day) but things were slower this time around – I guess the gods of music realized that my time has been a bit limited for this stuff, and from the ones I did get, here are two that I do highly recommend.

The first one is Putumayo Presents Latin Christmas, a highly enjoyable album because it doesn’t really sound like a Christmas album in the first place: it opens with a bossa version of “Joy to The World” performed by Arizona-based cover band Nossa Bossa Nova, a group that has adapted everything from the Rolling Stones to Bob Marley into bossas – some with pretty good results. My favorites, however, were the tunes that went completely outside the box. Poncho Sanchez offers a swinging n Afro-Cuban take on “Have Yourself A Merry Little Christmas” that gets you immediately moving, while UK-based Dave Stephens offers a bolero-inflected instrumental take on “God Rest Ye Merry Gentlemen”

Also notable are “El Año Viejo,” a cumbia celebrating the birth of the new year and also Susie Antoli’s s “La Peregrinacion,” a gentle Argentinean ballad that narrates the biblical story in which Mary and Joseph tried to find a place to sleep at the end of their journey to Bethlehem.

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Bibi Ferreira is one of Brazil’s greatest living legends – at 94 years of age as of this writing, she is actively performing throughout the Americas and Europe while still finding time to go into the studio to record new music.

Natal em Familia” (originally released in Brazil in 2012) brings together many traditional mostly performed as duets. The album kicks off with “Sinos de Belém” (Jingle Bells) done in an American Gospel/jazz style featuring samba singer Alcione and plenty of improvised instrumental solos from her touring band. Antonio Carlos Jobim’s “Estrada do Sol” is a bit unexpected for this album but it ultimately makes sense since the lyrics speak of hope for better days to come. “Um Novo Tempo” is a Marcos Valle/Paulo Sergio Valle/Nelson Motta composition that was for many years used as Globo TV’s Holiday theme, but here it receives a more serious treatment as a more devotional feel featuring the voices of Ferreira, Joyce Candido, Ana Cristina and Mayra Freitas.

There are a few throwaways – it’s hard to understand why anyone thought having Ferreira and former kiddie show host Xuxa Meneghel duet on “Vem Que Vai Chegando o Natal” (Santa Claus is Coming to Town) would be a good idea, and it’s pretty cringe-worthy even if it has a nice swinging jazz backbeat. Also the late Emilio Santiago;s vocal chops are under-used in the beautiful ballad “Feliz Natal” – he had such a great range but here is reduced to singing in unison with Ferreira.

Other notable tracks are Schubert’s “Oh Noite Santa” (Oh Holy Night) performed by opera singer Max Wilson and of course the beautiful duet that Ferreira and pop singer Ronnie Von do on Schubert’s Ave Maria – gives you goose bumps even after repeated hearings.