LAMC At Summerstage: Nathy Peluso and Ile

By Ernest Barteldes

Latin Alternative Music Conference

At Summerstage in Central Park

Nathy Peluso and Ile

New York, NY

July 10th, 2019

 

The heat and intense humidity in the air did not stop fans from flocking to Central Park for the first round of free shows scheduled at part of the 20th Anniversary of the Latin Alternative Music Conference in New York City, which featured Argentinean singer/rapper Nathy Peluso, Puerto Rican singer-songwriter Ile and Mexican pop singer-songwriter Ximena Sariñana.

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Nathy Peluso/Karlo X. Ramos

Peluso came on stage with a small backing band featuring a mix of soul, rock and hip-hop – featuring the latter during most of the set. She had great energy on stage, dancing along with the instrumental sections of every tune. One of the highlights came with a rap based on the chorus of the Cher hit “Bang (My Baby Shot Me Down),” whose English verses she sang herself.

The set also featured an instrumental mambo which she described as “the wonderful sound” showcasing her backup band, to whom she gyrated throughout, finally confessing that she is “a mambo killer” as a (probable) excuse for not singing it.

After a brief break, Puerto Rican singer (and former Calle 13 member) Ile took to the stage backed by a large band featuring trombones, percussion, bass, electric and acoustic guitars and drums featuring songs with strong Afro-Caribbean influence quite distant from what she did with her previous group. Her opening song had a strong political message, pointing fingers at those who oppress and try to silence the voice of her native land. She followed that with “Invenclble,” a tune with a pop-meets-Latin beat that she described as something she wrote to embrace her hormones and the realities of being a woman.

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Ile/Ernest Barteldes

She followed that with “Temes,” a bolero “against that patriarchy with the clear intention of destroying it,” with lyrics that repeatedly asked “why do you fear me?” in Spanish. Next came “Côncavo,” a bolero which descriptive lyrics that would probably be labeled “explicit” if it had been recorded in English, with subtle references to specific body parts and passions involving them.

Among the highlights was a tune that featured nothing but drums played by the entire group that highlighted the problems faced by Puerto Rico – she mentioned the recent arrests of top Puerto Rico officials over corruption charges, and ended the tune urging the audience to “stop voting for stupid people” without naming anyone in particular.

She closed the set with “Dejame Decirte,” a straight salsa written in collaboration with Eddie Palmeri – it was a great closing that highlighted Ile’s range, which goes from more folk-driven music to pop and pretty much every other Latin influence.

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Ile/Ernest Barteldes

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July Preview: What to Listen and Watch in the Midsummer

By Ernest Barteldes

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Aterciopelados, LAMC at Summerstage, July 11

July comes with even hotter temperatures but also brings a full calendar of outdoor shows in many locations. Again, as we did on previous months, we will focus on shows that are either free of charge or with a suggested donation, as is the case with most performances at the BRIC Celebrate Brooklyn and at Summerstage.

At Bryant Park, the Summer movie series continues with a program that includes classics like Carrie (the Original 1976 with Sissy Spacek and a very young John Travolta), Coming to America and Goodfellas among some lesser-known titles. Films begin at sunset, but you should come early, since space in the grass is occupied as early as 6:00 PM.

The month of July marks the celebration of the 20th Anniversary of The Latin Alternative Music Conference, a citywide event that includes various showcases, panel discussions and other goodies, but for the general public there are free shows around the city. These performances include an opening show at Central Park Summerstage headlined by Mexico’s Ximena Sariñana  (Wednesday, July 10th at 5 PM), one of the most respected young pop artists in her native country. Her style brings to mind girl-power singers like Avril Lavigne and (if you think of the 90s) Alanis Morrissette. Also on the bill are iLe and Nathy Peluso. The following day, LAMC will host a showcase in Queensbridge Park (July 11th) featuring legendary Colombian band Aterciopelados, Diamante Electrico and DJ Dayansita

Later in the weekend the conference moves to Celebrate Brooklyn, where Guatemala’s Gaby Moreno (Prospect Park, July 12th) a bilingual artist that mixes pop and traditional sounds  will be sharing the bill with Mexico’s Enhambre and El David Aguilar, and then things move back to Central Park (Saturday, July 13th) with tith a big 20th anniversary party featuring Vicente Garcia, ChocQuibTown, Macaco & Guaynaa. On the same evening, Malian living legend Salif Keita will headline at Prospect Park – making it one heck of a busy weekend if you plan on attending every show.

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I’m With Her, Celebrate Brooklyn July 18

Sara Watkins, Sarah Jarosz, and Aoife O’Donovan are three artists with respectable careers in their own right, but when they get together for their “Supergroup” I’m With Her things get far more interesting, as they use more harmonies and musical textures that go beyond their solo works. Opening the evening is Darlingside, a four-piece group from Boston that takes inspiration from 60s groups like Crosby, Stills, Nash & Young and Simon & Garfunkel but put their own personal imprint, being both retro and contemporary at the same time. (BRIC Celebrate Brooklyn, July 18).

I’ve heard Chilean-French rapper Ana Tijoux multiple times over the years, going from her rather raw debut appearance at LAMC almost a decade ago to her more evolved, social justice-conscious phase, where her angrier raps became more melodically intricate.  She continues to evolve, so don’t expect her to simply rap to the beats in her breakout hit “1977.” She has a deeper, more powerful message these days. (Summerstage at Corporal Thomas Park, July 20)

One of the biggest hits on Broadway in recent years, Fela! The Concert celebrates the times and music of iconic Afrobeat founder Fela Kuti with a ten-piece band, dancers and singers – some who were part of the original production – a great opportunity to watch the show again or for those who missed it to actually watch it for free. (Summerstage at Coney Island, July 26 and July 31 at Central Park)

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Alceu Valença, July 27 Brazil Summerfest at Summerstage

Brazil Summerfest is a two-week long festival that celebrates everything Brazilian, kicking off with a free street fair featuring traditional music, food and even some artisanal works. There are several ticketed shows, panel discussions and movie screenings throughout the event, including a free show at Central Park Summerstage featuring Alceu Valença (July 27), a legendary singer-songwriter in Brazil but who hardly ever performs in the US (at least from memory, I cannot recall ever hearing of him performing Stateside in the two decades I’ve been here). His music is a blend of traditional Northeastern beats with theatrics and rock. He is a consummate perfectionist in spite of his eccentric stage persona – I once saw him stop a show because the sound was not of his liking, but he did apologize to the audience for that, and later gave a stellar performance after the problems were solved.

August is also promising as Celebrate Brooklyn, Summerstage and Lincoln Center Out of Doors continue their free programs – tune back in at the end of July for some cool recommendations.

Music to Listen to in June: Bryant Park, BRIC Celebrate Brooklyn and Summerstage

By Ernest Barteldes 

In spite of a few rainy days and chilly mornings, June is finally here and with it comes the much-awaited outdoor concert series throughout the city at venues such as BRIC Celebrate Brooklyn (which opened on June 4th with an appearance by the great Patti LaBelle, while at Summerstage in Central Park things kicked off that same night with a lineup headed by the also legendary George Clinton & Funkadelic – making this season a promising one.  

Here I have some recommendations for the month of June, highlighting the free concerts. There are several benefits, but they are mostly sold out and honesty they don’t need my input about them anyway. For more details, please refer to the hyperlinks. 

On Friday, June 7th the music of the Caribbean is celebrated at The Bryant Park Latin Festival with a dance party that will include bachata, merengue and salsa. Headlined by La Sonora Nuyorkina and several guests, the five-hour event should be quite interesting – especially for lovers of Latin Music 

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IBEYI

On June 9thBrooklyn receives Cuban-French twins Lisa-Kaindé and Naomi Díaz, who together form IBEYI. They are the daughters of late conguero Miguel “Anga” Diaz, a member of The Buena Vista Social Club. Their music is a blend of traditional and modern music, ranging from hip-hop to Yoruba and much more in between. The evening is rounded out by Philly-based one-woman band Orion Sun and Sudan Archives, the latter who also blends traditional and contemporary music into his music.  

The legacy of the great saxophonist John Coltrane is remembered with a concert in Central Park on June 15th featuring an all-star lineup of jazz musicians: The Coltrane – De Johnette – Garrison Trio, formed by Ravi Coltrane (John and Alice Coltrane’s son), veteran drummer Jack DeJohnette and bassist Matthew Garrison. The opener will be jazz cellist Brandee Younger, It is one of these concerts that is not to be missed. 

The Stonewall Riots that were seminal for the early days of the quest for LGBTQ rights in America (although there had been a solid movement going on for quite some time before that)  celebrates its 50th anniversary in 2019, and this is commemorated with multiple events – at Summerstage, the all-male comedy ballet company, Les Ballets Trockadero de Monte Carlo, perform classic works from their own perspective using great humor and class.  

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Musiq Soulchild (Ernest Barteldes)

Sheila E. is probably best known for her association with Prince in the 80s, but she has had a long career of her own both as a bandleader and a sidewoman for the likes of Marvin Gaye, Ringo and His All-Starr Band and Beyonce, to name a few. For this night, dubbed “Only in Queens Festival,” she leads a band that includes contemporary soul singer Musiq Souchild and local Queens dancehall artist Kranium 

Les Negresses Vertes is a French alternative band with a long history dating back from the 80s. formed by a group of Parisian friends with no serious professional backgrounds, they were originally led by singer-songwriter Helno, but his time in the band was brief- he was a heroin addict and ultimately died from consequences of his drug abuse in 1993. After some lineup changes following his death, the band continued performing and adopted a more dub-influenced sound. They will be heading the lineup for Fete de la Musique on Sunday, June 24 in Central Park.

Chucho Valdés is undoubtedly one of the greatest Cuban pianists of his generation – following in the footsteps of his father, Bebo Valdés (1918-2013) and the father of Chuchito Valdés, he is one of the most respected musicians from his country, and one of the most innovative as well. Still active at 78, he recently released Jazz Bata 2, a sequel of sorts of his seminal 1972 album of the same name. Sharing the bill is Cuban-born, New York-based drummer Dafnis Prieto, another creative voice  that takes the music to the next generation. They appear at Celebrate Brooklyn on June 26.  

The month closes with Concha Buika, a fantastic Spanish singer with a dramatic voice that blends flamenco, jazz, Afro-fusion and R&B into her unique sound. She has collaborated over the years with the likes of Portuguese fado singer Mariza, Brazil’s Ivan Lins and many more. She is one of the few Afro-European flamenco singers out there, and she represents all of her heritage without losing her signature dramatic sound that is recognizable the moment you hear her voice. Buika appears at Celebrate Brooklyn on June 30 

SummerStage in Central Park: Chicano Batman & Los Pericos at LAMC

by Ernest Barteldes

Chicano Batman + Los Pericos

LAMC at Summerstage in Central Park

July 15, 2017

 

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Chicano Batman

Los Angeles-based Chicano Batman came on stage with their Psychedelic-inspired sound, complete with Mellotron-based tunes and a look more suited to Ed Sullivan circa 1968 then Central Park in 2017, but I guess that is the message they want to convey. Though mostly a quartet, they were often enhanced by a pair of backing vocalists – one whom took over the keyboards when lead singer Eduardo Arenas either stepped away from the mic to sing lead or played guitar.

I half expected this edition of the LAMC to be a bit political given the current divisions in the United States, but was surprised that no one spoke of walls or anything related to the current president in this country: it was all about the music and little else. The band instead took the opportunity to showcase as many of their influences as possible, including a Cumbia-inflected tune and a ranchera in which the bassist took over the guitar while Arenas took over the bass guitar.

Chicano Batman has great chemistry together, but it seems they are not yet ready to play large stages like Rumsey Playfield.  There is no doubt about their talent – their instrumental moments were quite great – but they seemed a bit overwhelmed about being before a numerous audience like the ones often seen there – I guess we are looking at diamonds in the rough, and would be happy to learn they’ve evolved in coming years.

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Los Pericos

After a short break, Argentina’s Los Pericos brought a mix of funk and reggae with a Latin take – I felt they were very influenced by Brazil’s Paralamas do Sucesso – that got the audience moving from the moment they played their first chord.  They had great energy and effectively communicated with the crowd by calling on the different nationalities represented there.

Los Pericos has been around for three decades, and their set reflected that experience: the music went from disco-inflected moments to salsa and various other rhythms while never losing touch with their original influences. Since there were many in the audience who had probably never heard of them, the band jam-packed their set with their best material so people could know what they were about.  A handful of their tunes were in English – with lyrics that either talked about heartbreak or romantic defiance – but most were in their native Spanish.

It was a wonderful afternoon – I just wish the weather on Friday had been a bit better so I could have caught the showcase at Celebrate Brooklyn the previous night – it would have made for a much better musical experience.

What to hear in July: Summerstage, BRIC Celebrate Brooklyn and Bryant Park

By Ernest Barteldes

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Esperanza Spalding – July 30 at Celebrate Brooklyn

July is one of the busiest months in the summer outdoor concert schedule here in New York, and I am one who fully enjoys this – First of all, the Latin Alternative Conference comes to town, bringing tons of Latin talent both to Celebrate Brooklyn and Summerstage (plus many other venues – it’s a music smorgasbord for sure), so things get even more interesting.  Not only that, the public pools are also open so there is a lot to do even if you want to spend the hot days in a lazier fashion.

As I did before, I am only highlighting the free shows, since the ticketed benefit concerts are either sold out or have their own publicity machine behind them – it’s not like they need the likes of me.  For detailed times and locations please refer to the hyperlinks included here.

Things kick off on July 1st in Central Park with a celebration of French and American jazz with a lineup that simply doesn’t feel enough for a single evening, including gypsy guitar virtuoso Stephane Wrembel,  upcoming jazz/pop singer Kat Edmonson and singer Catherine Russell alongside bandleader extraordinaire Vince Giordano. It should be one hell of the night which as usual I am missing because I have plans out of town.

Over at Celebrate Brooklyn Musiq Soulchild does free concert on July 7th – he is regarded as one of the best soul singers of his generation and deserves it – his delivery is fantastic and so is his performance – I expect it to be packed that night.

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Jimmy Heath

On July 8th jazz great Jimmy Heath heads to Queens with his big band – the man has played with the likes of John Coltrane, Dizzy Gillespie and Miles Davis (to name a few) and is still here to tell the tale. Look forward to lots of bebop but also contemporary and straight-ahead jazz.

Those not willing to head all the way to Queens that night might want to check out New York’s own Mariachi Flor de Toloache and cumbia queen Totó La Momposina in Central Park. I heard the former during an LAMC concert at Celebrate Brooklyn  few years back – from what I remember it was a lively concert that paid tribute to the traditions of the music of their native Mexico but also looked ahead, using  complex vocal arrangements a few tunes in English; some songs were played with the addition of the cajón and also the ukulele, which both enhanced the songs and gave them an intriguing, innovative sound.

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Mon Laferte

The LAMC kicks off on July 12 in Central Park with Puerto Rico’s ÌFÉ, New York’s own Princess Nokia (an interesting use for the virtually defunct cellphone brand, no?) and Chile’s Mon Laferte, a self-taught powerhouse of a musician who blends electronic, rock and R&B in her own unique manner – her video for “Amarrame” (feat, Juanez) is on heavy rotation on Latin music channels (I happened to catch it while vacationing in the Dominican Republic a few weeks ago), and I really want to see how this translates in a live format

The late Fela Kuti is celebrated in music and theater for his contribution to what became the Afrobeat movement, and his legacy is being memorialized on July 16 in a concert  that brings together his son Seun Kuti and Roy Ayers, one of the elder Kuti’s many collaborators during his career and beyond – Ayers is one of the godfathers of the neo-soul movement and a highly respected artist in his own right.

I can’t remember the last time I heard Mali’s Amadou & Mariam on stage – I recall it was at Summerstage about a decade ago when I was still writing for the now-defunct Global Rhythm and New York Press. They are a married blind duo who play their own brand of African blues, and have this magical sound to them. It will be good to catch them again after all this time in Brooklyn on July 21st

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Accordion Festival 

On the same day, The Accordion Festival – closing up the Accordions Around The World program happening in Bryant Park – takes place, with tens of players over a five-hour period. Something for those who want to hang in midtown Manhattan and have a good time.

During her tragically brief career, Amy Winehouse left us a memorable canon of songs over two albums (only one released in the US market) and (as far as I know) a single guest appearance – her last recording – on Tony Bennett’s Duets II album. Her music is certainly remembered, and will be the basis for the program developed by BalletX / YY Dance Company on July 26 in Central Park.

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Andrew Bird

The month closes in Brooklyn (July 30)  with two of my favorite young musicians: multi-instrumentalist, whistler and vocalist Andrew Bird, who I discovered in a completely unusual way: on the soundtrack of the 2011 Muppets movie, Towards the end of the movie, newcomer Walter did a surprise performance of “The Whistling Caruso” – which was actually played by Bird.

The other favorite is Esperanza Spalding, the genre-bending bassist who began her career doing avant-garde jazz and then went on to make extremely diverse albums that explored a variety of sounds, going from straight-ahead jazz, soul and more recently Emily’s D+Evolution (Concord), an experiment that blends musical theater, jazz, funk and much more – something that some fans heralded and others failed to fully comprehend (me being the latter) – when she first emerged, Spalding was a breath of fresh air in the jazz world, and continues to evolve throughout the years – I can only imagine what she is going to bring to the fore this time.

Album reviews: Putumayo’s “Cuba Cuba,” Hendrik Meurkens & Roger Davidson’s “Oração Para Amanhã,” MUH Trio’s “Prague After Dark” and Anna Maria Jopek’s “Haiku”

by Ernest Barteldes

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On this Putumayo release, contemporary and more traditional Cuban music come together to form this comprehensive collection of the music of the country whose music has been a global reference in spite of the controversial political issues that have kept  both countries at odds for so long.

The collection opens with Soneros de Verdad’s “A Buena Vista,” a lively tribute to the success of the collective that has had reached global success, and sets the tone for the rest of the album. We delve in the past a bit with Al Valdes’ “Guajira,” an uptempo instrumental recorded in Peru in the mid-sixties that has since become legendary, showing strains of American jazz and other sounds that would later be explored by  groups like Irakere, which at one time featured Arturo Sandoval, Chucho Valdes and Paquito D’ Rivera (which sadly are not featured on this compilation, in band form or solo). Other highlights include a new rendition of “Chan Chan” – arguably Buena Vista Social Club’s best-known tune, and Jose Conde’s “Puente a Mi Gente,” a 2004 tune that reached out to his people on the island (he was born in Miami), hoping for a better connection between the US and his ancestral land.

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Pianist  Roger Davidson and German-born harmonica player/vibist Hendrik Meurkens both have a close relationship with the music of Brazil, and it’s a thrill to hear them coming together for “Oração Para Amanhã (Soundbrush), a live recording made at New York’s Zinc Bar featuring all-original music by Davidson. Backed by Eduardo Belo (bass) and Adriano Santos (drums), the disc kicks off with “September Samba,” an uptempo tune featuring Muerkens on vibes. Muerkens then goes to his harmonica to lead on “Sonho da Tarde,” a complex tune with a low-key feel .  “Oração Para Amanhã” is definitely a love letter to Brazil, and both musicians treat the music with the respect it deserves, using American jazz tendencies to enhance the sound, but never to take it away from where it belongs.

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“Prague After Dark” (JMood Records) came to me all the way from Italy via Facebook friend and pianist Roberto Magris. Recorded in The Czech Republic with his MUH Trio (Magris, Frantisek Uhlir: bass; Jaromir Helesic: drums), it is a highly enjoyable straight-ahead album featuring mostly original music penned by all three members of the trio. I particularly enjoyed “Nenazvana,” an uptempo tune by Uhlir with a samba feel that features an extended solo from its writer. Also notable are “Iraqi Blues,” which takes a more serious tone in what is mostly an upbeat album, and the inspired cover of “Love in Vain.” Make sure to check it out, it’s rare when music like this reaches the other side of the pond.

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Also hailing from Central Europe is Polish singer Anna Maria Jopek, whose Japanese-inspired “Haiku” (independently released) finally got to my hands. Originally released in 2013 alongside her Luso-inspired “Sobremesa” and her Polish folk song dedicated “Polanna” (it could be purchased as a box set as well, but I have never seen it in stores – and I looked hard during my last visit to Poland), it is a collaboration with pianist Makoto Ozone that delves both in more traditional music and pretty hard jazz.  It closes the trilogy well – it is a well-thought record that explores a lot of nuances between Polish and Japanese music – including the kind of jazz played in both countries these days. On an interview I conducted with her a few years back, she stated that “We recorded the “Haiku” album with a Polish-Japanese band lineup in just four hours, as if we were spirited.” Quite impressive results, I should say.

What to hear in June – Summerstage and Celebrate Brooklyn 2017

by Ernest Barteldes

 

Bilal

I don’t think I need to tell you how much I love attending outdoor concerts. As much as I appreciate our various indoor venues and how some of them go above and beyond to bring diverse voices to their stages, my one musical love is to stand under the hot sun – or the stars  – and enjoy some music without drink minimums or any other restriction regularly imposed by club managers.

For this reason, it is with great expectation that I look forward to the summer months when music comes outdoors, because these musicians have a chance to reach audiences they might never reach out to otherwise –  things would be segregated among the ‘jazz,’ ‘world’ or whatever pocket genre your next tastemaker might come up with.

Among the various events I love to attend are Summertage (once limited to Central Park but now a citywide event) and Celebrate Brooklyn – they are both works of love for all those involved, including this writer –   there is no price to pay for the many memories created by each of the shows I have attended over the years.

Which brings me to my selections for the month of June for both venues – but let me note that I am only commenting on the non-benefit shows – the others get plenty of coverage on their own without my help.

Summerstage gets things running on June 3rd with an opening event featuring the great Mavis Staples (remember “I’ll Take You There?” ), who I wrote about when she played at the same stage in 2008, generating one of the best quotes I have ever heard on stage in my life: “Mississippi is a great place to come from, but it is even a better place to get away from” following a rendition of “Down in Mississippi,” a tune that reminded us of the pain so many went through during the Jim Crow era, which she helped – at least legally – get rid of.

 

Over at Celebrate Brooklyn things begin to get interesting with some soul that brings together Alice Smith, Bilal and Kris Bowers (June 10th) ,all fantastic artists in their own right. Bilal is one of my personal favorites of the three due to his ability to bridge between genres, often contributing with jazz, Latin and rock artists and sounding comfortable among all of them.

Another legend – one of the engineers of funk – is George Clinton, who will be playing with his longtime band Parliament Funkadelic on June 11th  as part of the Only in Queens Festival (associated with Summerstage). It should be a magical night at Flushing Meadows Park in Queens, and will certainly be worth the ride on the 7 train.

Fête de La Musique (June 26th)  brings some new French music to the foreground – my personal highlight is German-born Ayo, whose 2006 debut single “Down on My Knees” has stayed with me and has also become attached to memories of a 2014 trip to Europe, when the song played at a restaurant in Krakow  – whenever I hear the tune it takes me back to that unlikely place in my life. It is a song in which the narrator pleads for her lover not to go away and reminds him (her?) of the things they have shared.

My great appreciation for Robert Glasper (June 25, Central Park)  is not a secret – I have reviewed his albums and live performances over the years. His approach to jazz is quite unique as he blends elements of jazz and contemporary music (hip-hop, soul) with a political edge – he collaborates with folks you don’t usually associate with jazz, such as Erikah Badu and Bilal, to name a few – and is humble enough to go on the road as a supporting musician for Maxwell – one of the pioneers of the contemporary sould movement.

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Lila Downs

June closes with Lila Downs (Celebrate Brooklyn, June 29) , who is one of my top 10 favorite female singers. She is one of the few musicians I know who can tackle pretty much any genre while staying true to her Mexican roots. I have been following her music since I saw her at a downtown concert in which she shared the bill with Brazil’s Luciana Souza – I was immediately hooked by her expressive voice and stage presence. I must have seen her live at least ten times since and am surely looking forward for this one.