SummerStage in Central Park: Chicano Batman & Los Pericos at LAMC

by Ernest Barteldes

Chicano Batman + Los Pericos

LAMC at Summerstage in Central Park

July 15, 2017

 

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Chicano Batman

Los Angeles-based Chicano Batman came on stage with their Psychedelic-inspired sound, complete with Mellotron-based tunes and a look more suited to Ed Sullivan circa 1968 then Central Park in 2017, but I guess that is the message they want to convey. Though mostly a quartet, they were often enhanced by a pair of backing vocalists – one whom took over the keyboards when lead singer Eduardo Arenas either stepped away from the mic to sing lead or played guitar.

I half expected this edition of the LAMC to be a bit political given the current divisions in the United States, but was surprised that no one spoke of walls or anything related to the current president in this country: it was all about the music and little else. The band instead took the opportunity to showcase as many of their influences as possible, including a Cumbia-inflected tune and a ranchera in which the bassist took over the guitar while Arenas took over the bass guitar.

Chicano Batman has great chemistry together, but it seems they are not yet ready to play large stages like Rumsey Playfield.  There is no doubt about their talent – their instrumental moments were quite great – but they seemed a bit overwhelmed about being before a numerous audience like the ones often seen there – I guess we are looking at diamonds in the rough, and would be happy to learn they’ve evolved in coming years.

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Los Pericos

After a short break, Argentina’s Los Pericos brought a mix of funk and reggae with a Latin take – I felt they were very influenced by Brazil’s Paralamas do Sucesso – that got the audience moving from the moment they played their first chord.  They had great energy and effectively communicated with the crowd by calling on the different nationalities represented there.

Los Pericos has been around for three decades, and their set reflected that experience: the music went from disco-inflected moments to salsa and various other rhythms while never losing touch with their original influences. Since there were many in the audience who had probably never heard of them, the band jam-packed their set with their best material so people could know what they were about.  A handful of their tunes were in English – with lyrics that either talked about heartbreak or romantic defiance – but most were in their native Spanish.

It was a wonderful afternoon – I just wish the weather on Friday had been a bit better so I could have caught the showcase at Celebrate Brooklyn the previous night – it would have made for a much better musical experience.

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Live Review: Laura Cheadle at Piano’s, April 15, 2017

 

Laura Cheadle

Piano’s NYC

New York City

April 15, 2017

article and photos by Ernest Barteldeslaura1

Laura Cheadle traveled light on her recent appearance at Piano’s in New York’s Lower East Side – instead of her full Family Band she was backed solely by her own acoustic guitar, her father James Cheadle on keyboards and a drummer (Cheadle, Sr.  did the basslines on the left-hand side of his instrument), mostly showcasing material from her download-only EP “Chill,” out that day.

She opened the set with an uptempo take on Stevie Wonder’s  “I Was Made To Love Her,” a soul ballad whose lyrics speak of finally finding love and being unapologetic about it. She followed that with “Reverberate,” another tune from “Chill” that has a funky feel.  Cheadle and her father have great chemistry together, and that is evident as her body language affects how he plays – stops are clearly unrehearsed, but since they know each other so well musically it is just seamless.

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The audience received the new material well, but things really caught fire when she did a medley of some choice covers including  a low-tempo take on B.B. King’s “The Thrill is Gone” (in which she took over the drums), James Brown’s “I Feel Good,” Aretha Franklin’s “Chain of Fools” and two Stevie Wonder tunes, “Superstition” and “Higher Ground,” the latter of which really showcased her vocal range. During the medley, she left the stage and danced around fans (she even surprised me by coming to my side while I was busy with my notes).

The show ended in a high note – everyone seemed to be having a good time – unfortunately there wasn’t a second set (Piano’s has one set by each listed artist) so we didn’t have a chance for a some more of Cheadle’s music.