July Preview: What to Listen and Watch in the Midsummer

By Ernest Barteldes

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Aterciopelados, LAMC at Summerstage, July 11

July comes with even hotter temperatures but also brings a full calendar of outdoor shows in many locations. Again, as we did on previous months, we will focus on shows that are either free of charge or with a suggested donation, as is the case with most performances at the BRIC Celebrate Brooklyn and at Summerstage.

At Bryant Park, the Summer movie series continues with a program that includes classics like Carrie (the Original 1976 with Sissy Spacek and a very young John Travolta), Coming to America and Goodfellas among some lesser-known titles. Films begin at sunset, but you should come early, since space in the grass is occupied as early as 6:00 PM.

The month of July marks the celebration of the 20th Anniversary of The Latin Alternative Music Conference, a citywide event that includes various showcases, panel discussions and other goodies, but for the general public there are free shows around the city. These performances include an opening show at Central Park Summerstage headlined by Mexico’s Ximena Sariñana  (Wednesday, July 10th at 5 PM), one of the most respected young pop artists in her native country. Her style brings to mind girl-power singers like Avril Lavigne and (if you think of the 90s) Alanis Morrissette. Also on the bill are iLe and Nathy Peluso. The following day, LAMC will host a showcase in Queensbridge Park (July 11th) featuring legendary Colombian band Aterciopelados, Diamante Electrico and DJ Dayansita

Later in the weekend the conference moves to Celebrate Brooklyn, where Guatemala’s Gaby Moreno (Prospect Park, July 12th) a bilingual artist that mixes pop and traditional sounds  will be sharing the bill with Mexico’s Enhambre and El David Aguilar, and then things move back to Central Park (Saturday, July 13th) with tith a big 20th anniversary party featuring Vicente Garcia, ChocQuibTown, Macaco & Guaynaa. On the same evening, Malian living legend Salif Keita will headline at Prospect Park – making it one heck of a busy weekend if you plan on attending every show.

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I’m With Her, Celebrate Brooklyn July 18

Sara Watkins, Sarah Jarosz, and Aoife O’Donovan are three artists with respectable careers in their own right, but when they get together for their “Supergroup” I’m With Her things get far more interesting, as they use more harmonies and musical textures that go beyond their solo works. Opening the evening is Darlingside, a four-piece group from Boston that takes inspiration from 60s groups like Crosby, Stills, Nash & Young and Simon & Garfunkel but put their own personal imprint, being both retro and contemporary at the same time. (BRIC Celebrate Brooklyn, July 18).

I’ve heard Chilean-French rapper Ana Tijoux multiple times over the years, going from her rather raw debut appearance at LAMC almost a decade ago to her more evolved, social justice-conscious phase, where her angrier raps became more melodically intricate.  She continues to evolve, so don’t expect her to simply rap to the beats in her breakout hit “1977.” She has a deeper, more powerful message these days. (Summerstage at Corporal Thomas Park, July 20)

One of the biggest hits on Broadway in recent years, Fela! The Concert celebrates the times and music of iconic Afrobeat founder Fela Kuti with a ten-piece band, dancers and singers – some who were part of the original production – a great opportunity to watch the show again or for those who missed it to actually watch it for free. (Summerstage at Coney Island, July 26 and July 31 at Central Park)

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Alceu Valença, July 27 Brazil Summerfest at Summerstage

Brazil Summerfest is a two-week long festival that celebrates everything Brazilian, kicking off with a free street fair featuring traditional music, food and even some artisanal works. There are several ticketed shows, panel discussions and movie screenings throughout the event, including a free show at Central Park Summerstage featuring Alceu Valença (July 27), a legendary singer-songwriter in Brazil but who hardly ever performs in the US (at least from memory, I cannot recall ever hearing of him performing Stateside in the two decades I’ve been here). His music is a blend of traditional Northeastern beats with theatrics and rock. He is a consummate perfectionist in spite of his eccentric stage persona – I once saw him stop a show because the sound was not of his liking, but he did apologize to the audience for that, and later gave a stellar performance after the problems were solved.

August is also promising as Celebrate Brooklyn, Summerstage and Lincoln Center Out of Doors continue their free programs – tune back in at the end of July for some cool recommendations.

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Brandee Younger Trio At Summerstage in Central Park

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Brandee Younger (Ernest Barteldes)

Brandee Younger Trio

Central Park Summerstage

June 15, 2019

By Ernest Barteldes

Backed by Endea Owens (upright bass) and E.J. Strickland (drums), jazz harpist Brandee Younger kicked off her set with Alice Coltrane’s  “Rama-Rama,” a bright and uptempo theme that quickly transitioned to a more syncopated number centered on Owens’ dominant bassline. She followed that with “Hortence,” an original tune that allowed the bandleader to stretch and further explore the versatility of her instrument, and Owens took another mellifluous solo. She introduced herself and the band (cracking a joke at Strickland’s Gainsville, FL origins) and led the band with a more samba-influenced number.

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Central Park Summerstage

Halfway through the set, the trio was joined by saxophonist Chelsea Baratz for “Essence of Ruby,” whose melody centered on the saxophonist’s tenor sax. It was a tune with a simple structure close to smooth jazz but with more of a contemporary edge.

The four musicians navigated various styles, and included many creative elements – in “Respect the Destroyer,” Younger used effects that gave her harp an electronic-like sound that served as a backdrop for Baratz’s dexterous solo.

They closed their set with a tune by legendary Detroit-born Afro harp player Dorothy Ashby (there was another tune of hers earlier in) that swung much harder than other tunes that evening and gave the opportunity for Strickland to add his only solo of the evening, which he took in a laid-back manner, concentrating more on the drums than the cymbals.

Except for Colombia’s Edmar Castañeda,  who takes more of a Latin-jazz approach to his playing, I had never heard jazz played on a harp – and until recently I had no knowledge of the work of Dorothy Ashby. Younger’s set was enjoyable and also educational, since it made me do some research jazz harp.

The evening was rounded out by a set with a saxophone trio featuring  Jack

DeJohnette, Ravi Coltrane and Matthew Shepard.

 

 

Concert Review: IBEYI, Sudan Archives and Orion Sun at BRIC Celebrate Brooklyn, June 08, 2019

by Ernest Barteldes 

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Orion Sun +Sudan Archives + IBEYI 

BRIC Celebrate Brooklyn 

Prospect Park Brooklyn, NY 

June 08, 2019 

 

On what turned out to be one of the warmest night in June in New York as of this writing, Philadelphia-based Orion Sun took to the stage with DJ Haram, who relayed backing tracks for her to sing to – something not usually seen in a large stage like the Prospect Park Bandshell, where artists usually bring a larger ensemble instead of backing tracks. Her original music is very soul-inspired with a touch of melancholy 

During a portion of the set she played electric guitar, and rapped a bit on one of her numbers. Orion Sun has a lot of talent, but she clearly is not used to dealing with such a big audience – she seemed to focus on the audience up front, and did not engage with the crowd in general, so by the fourth number she had already lost most of them, who were by then chatting and pretty much ignoring her set, as good as it was.  

She was followed by Sudan Archives, another one-woman show that came on stage playing a violin, looping various sounds together to form her music, blending them with pre-recorded beats. Her music is a mix of influences, including a Saharan cry among other Afro-Centric beats.  

She expresses pain through her music, throwing some feminist ideas with a fresh, native feel. She was far more engaging than the previous artist, but again the venue was a bit too big for a one-person act that would be more suitable for a smaller stage.  

That changed with IBEYI – a duo formed by French-Cuban twin sisters Lisa Kaidé and Naomi Diaz, who came with their electronic sounds and percussion but also the participation of a small choir. They do some fantastic harmonies and also have great chemistry together.  One of the highlights was “By The Pussy,” a response the words spoken by then-candidate Trump on the infamous hidden camera video that came out during the 2016 campaign. Another great moment was the feminist anthem “No Man Is Big Enough for My Arms,” an uptempo tune that got everyone moving at once. 

The duo knows how to handle a bigger audience, and did a great job on that Saturday night, engaging the audience and communicating effectively with the crowd, which made for a satisfying experience.  

Mariza at Summerstage/Central Park

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The Stage at Central Park

Summerstage at Central Park

June 23, 2018

New York, NY

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Mariza

On her debut Summerstage appearance,  Angolan-born and Portugal-based Mariza took to the stage backed by a five-piece band (accordion, percussion, Portuguese guitar, acoustic guitar and bass) to promote mostly material from her self-titled album (Warner Portugal, 2018), which of this writing was not yet available in the US market even though she mentioned it several times during the show.

The set opened with “Sou do Fado,” a traditional tune that has become a staple on her performances – it is a longing number in which she stretches her vocals, utilizing the melisma that are so common to the genre.  She then followed by a ballad  with few fado characteristics – something that has become more and more common on her records starting from 2008’s Terra, which included tunes by  Brazil’s Ivan Lins and also a cover of Charlie Chaplin’s “Smile,” which she performed during the tour in support of that album that year.

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Mariza

Among the highlights was an original tune named “Ja Passou,” a ballad dedicated to her young son. The expression is common in Portugal, and it means that the “pain is over” (the term was actually used on the Luso-Portuguese version of “Let It Go” from the soundtrack of the movie “Frozen”), and it is usually told to young children when they get hurt in some way.

Hearing Mariza in an outdoor setting was quite refreshing, because in previous U.S. stops she mostly performed in theaters, and was interesting to hear her outdoors, and wondered how the outside temperature would affect her singing.  The truth is, it didn’t, and she sang with the same potency and passion that she has delivered in previous shows.

 

Free Concerts: What to Hear in June

by Ernest Barteldes 

 

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Gregory Porter

As I have written before, the summer months are my favorite time of year – not only because we have the nice weather and the opportunity to grill or go to beach trips and also get to wear flip-flops to the supermarket (at least I do), it is also the time for the countless outdoor concerts that take place all over town that are for every taste. 

Ever since I moved to New York – eighteen years ago this year – I have been attending these shows and have lost count of how many I have seen. The other day Renata and I were going through old photos that I covered at Summerstage in those early years and I was shocked at how many prints I had (those were the days before going digital) and how many shows I’d pretty much forgotten about – something that happens when you attend more than 50 concerts a year – most during the summer season.  

This year’s season at Celebrate Brooklyn, Summerstage and other venues across New York City have incredible lineups, which I will write about over the next few posts, either previewing or reviewing for this blog or other pages.  

On this post I will highlight some of our picks for the month of June – but bear in mind I will only highlight the shows that are free of charge, so if you don’t see say, The Decemberists (June 13, Celebrate Brooklyn) on this list it’s because it’s a benefit event and you have to pay more than the suggested donation asked for at the door.  

If you want more information, check out the hyperlinks, which direct to the actual events’ pages.  

The month begins with jazz vocalist Gregory Porter (June 2nd, Central Park), who makes his second appearance at the event (he also made an appearance at Celebrate Brooklyn in during the 2016 season). his deep baritone gets your attention at once, as I discovered when I first heard of him back in the day when Starbucks gave tunes out for free every week. I heard him at Summerstage in 2015 and was fascinated at his command of the stage and am eager to hear his music again in a live format. 

 

We then head to Prospect Park Bandshell for their opening night on June 6th, when rapper, actor, activist and Oscar Winner Common gets the party started for Celebrate Brooklyn. Little needs to be said about him – he has been a mainstay in the hip-hop scene since the 90s, but more recently he has reached mainstream audiences – never mind the song “Glory,” which earned him an Oscar AND a Golden Globe alongside John Legend.  

 

David Bowie left us too soon back in 2016 (what a shitty year that was for music, by the way) but left us one last gift: his much appreciated album Blackstar, released a few days after his passing. In tribute to the great musician and actor, an orchestra led by Evan Zyporin featuring cellist Maya Beyser will play the album in its entirety (June 9th, Central Park) in a show entitled Bowie Symphonic – the evening will also feature The Donny McCaslin group, who played with Bowie on that final album.  

 

One of the most memorable shows I attended at Summerstage was back in 2008 (has it been that long?) when Los Lobos played alongside Los Lonely Boys. It was a soggy night in which the rain did not relent – everyone got absolutely soaked but no one left until the last song was played. They have a high-energy set that include their most danceable hits that had everyone engaged to the very end – and yes, they included their 80s cover of La Bamba, from the movie of the same name. They return to New York for what promises to be a lovely afternoon in Brooklyn (Celebrate Brooklyn, June 10). 

I first saw Rhiannon Giddens solo work at Celebrate Brooklyn in 2015 – before that, I had seen her with her band, the Carolina Chocolate Drops, at a showcase at GlobalFest (don’t ask when, I can’t remember). It was a lovely show that featured roots Americana and folk music coupled with some historical themes. It should be another interesting evening for sure (Central Park, June 16)   

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Mariza

I can’t tell you how many times I’ve written about Mozambique-born fado singer Mariza over the years – one of the few artists I wrote about for a European magazine. But to call her simply a fadista is unfair – on her latest works, she has incorporated elements of jazz, pop and other rhythms but without losing touch with her roots. And her chosen genre is best heard in an outdoor format (just check out her Concerto Em Lisboa DVD) instead in theaters. She is a sensational, emotional performer and this is one performance you should not miss. (Central Park, June 23) 

 

<p><a href=”https://vimeo.com/201866719″>Mariza – Concerto em Lisboa</a> from <a href=”https://vimeo.com/user62259790″>eduardo carrasco pontes</a&gt; on <a href=”https://vimeo.com”>Vimeo</a&gt;.</p> 

Closing our picks for June is Branford Marsalis, one fifth of the New Orleans’ “Royal Family of Jazz,” who will be playing two sets with his longtime quartet, bookending Roger Guenveur Smith’s one man show, Frederick Douglass Now. This is another show you shouldn’t miss (Celebrate Brooklyn, June 29) 

SummerStage in Central Park: Chicano Batman & Los Pericos at LAMC

by Ernest Barteldes

Chicano Batman + Los Pericos

LAMC at Summerstage in Central Park

July 15, 2017

 

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Chicano Batman

Los Angeles-based Chicano Batman came on stage with their Psychedelic-inspired sound, complete with Mellotron-based tunes and a look more suited to Ed Sullivan circa 1968 then Central Park in 2017, but I guess that is the message they want to convey. Though mostly a quartet, they were often enhanced by a pair of backing vocalists – one whom took over the keyboards when lead singer Eduardo Arenas either stepped away from the mic to sing lead or played guitar.

I half expected this edition of the LAMC to be a bit political given the current divisions in the United States, but was surprised that no one spoke of walls or anything related to the current president in this country: it was all about the music and little else. The band instead took the opportunity to showcase as many of their influences as possible, including a Cumbia-inflected tune and a ranchera in which the bassist took over the guitar while Arenas took over the bass guitar.

Chicano Batman has great chemistry together, but it seems they are not yet ready to play large stages like Rumsey Playfield.  There is no doubt about their talent – their instrumental moments were quite great – but they seemed a bit overwhelmed about being before a numerous audience like the ones often seen there – I guess we are looking at diamonds in the rough, and would be happy to learn they’ve evolved in coming years.

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Los Pericos

After a short break, Argentina’s Los Pericos brought a mix of funk and reggae with a Latin take – I felt they were very influenced by Brazil’s Paralamas do Sucesso – that got the audience moving from the moment they played their first chord.  They had great energy and effectively communicated with the crowd by calling on the different nationalities represented there.

Los Pericos has been around for three decades, and their set reflected that experience: the music went from disco-inflected moments to salsa and various other rhythms while never losing touch with their original influences. Since there were many in the audience who had probably never heard of them, the band jam-packed their set with their best material so people could know what they were about.  A handful of their tunes were in English – with lyrics that either talked about heartbreak or romantic defiance – but most were in their native Spanish.

It was a wonderful afternoon – I just wish the weather on Friday had been a bit better so I could have caught the showcase at Celebrate Brooklyn the previous night – it would have made for a much better musical experience.

What to hear in July: Summerstage, BRIC Celebrate Brooklyn and Bryant Park

By Ernest Barteldes

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Esperanza Spalding – July 30 at Celebrate Brooklyn

July is one of the busiest months in the summer outdoor concert schedule here in New York, and I am one who fully enjoys this – First of all, the Latin Alternative Conference comes to town, bringing tons of Latin talent both to Celebrate Brooklyn and Summerstage (plus many other venues – it’s a music smorgasbord for sure), so things get even more interesting.  Not only that, the public pools are also open so there is a lot to do even if you want to spend the hot days in a lazier fashion.

As I did before, I am only highlighting the free shows, since the ticketed benefit concerts are either sold out or have their own publicity machine behind them – it’s not like they need the likes of me.  For detailed times and locations please refer to the hyperlinks included here.

Things kick off on July 1st in Central Park with a celebration of French and American jazz with a lineup that simply doesn’t feel enough for a single evening, including gypsy guitar virtuoso Stephane Wrembel,  upcoming jazz/pop singer Kat Edmonson and singer Catherine Russell alongside bandleader extraordinaire Vince Giordano. It should be one hell of the night which as usual I am missing because I have plans out of town.

Over at Celebrate Brooklyn Musiq Soulchild does free concert on July 7th – he is regarded as one of the best soul singers of his generation and deserves it – his delivery is fantastic and so is his performance – I expect it to be packed that night.

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Jimmy Heath

On July 8th jazz great Jimmy Heath heads to Queens with his big band – the man has played with the likes of John Coltrane, Dizzy Gillespie and Miles Davis (to name a few) and is still here to tell the tale. Look forward to lots of bebop but also contemporary and straight-ahead jazz.

Those not willing to head all the way to Queens that night might want to check out New York’s own Mariachi Flor de Toloache and cumbia queen Totó La Momposina in Central Park. I heard the former during an LAMC concert at Celebrate Brooklyn  few years back – from what I remember it was a lively concert that paid tribute to the traditions of the music of their native Mexico but also looked ahead, using  complex vocal arrangements a few tunes in English; some songs were played with the addition of the cajón and also the ukulele, which both enhanced the songs and gave them an intriguing, innovative sound.

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Mon Laferte

The LAMC kicks off on July 12 in Central Park with Puerto Rico’s ÌFÉ, New York’s own Princess Nokia (an interesting use for the virtually defunct cellphone brand, no?) and Chile’s Mon Laferte, a self-taught powerhouse of a musician who blends electronic, rock and R&B in her own unique manner – her video for “Amarrame” (feat, Juanez) is on heavy rotation on Latin music channels (I happened to catch it while vacationing in the Dominican Republic a few weeks ago), and I really want to see how this translates in a live format

The late Fela Kuti is celebrated in music and theater for his contribution to what became the Afrobeat movement, and his legacy is being memorialized on July 16 in a concert  that brings together his son Seun Kuti and Roy Ayers, one of the elder Kuti’s many collaborators during his career and beyond – Ayers is one of the godfathers of the neo-soul movement and a highly respected artist in his own right.

I can’t remember the last time I heard Mali’s Amadou & Mariam on stage – I recall it was at Summerstage about a decade ago when I was still writing for the now-defunct Global Rhythm and New York Press. They are a married blind duo who play their own brand of African blues, and have this magical sound to them. It will be good to catch them again after all this time in Brooklyn on July 21st

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Accordion Festival 

On the same day, The Accordion Festival – closing up the Accordions Around The World program happening in Bryant Park – takes place, with tens of players over a five-hour period. Something for those who want to hang in midtown Manhattan and have a good time.

During her tragically brief career, Amy Winehouse left us a memorable canon of songs over two albums (only one released in the US market) and (as far as I know) a single guest appearance – her last recording – on Tony Bennett’s Duets II album. Her music is certainly remembered, and will be the basis for the program developed by BalletX / YY Dance Company on July 26 in Central Park.

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Andrew Bird

The month closes in Brooklyn (July 30)  with two of my favorite young musicians: multi-instrumentalist, whistler and vocalist Andrew Bird, who I discovered in a completely unusual way: on the soundtrack of the 2011 Muppets movie, Towards the end of the movie, newcomer Walter did a surprise performance of “The Whistling Caruso” – which was actually played by Bird.

The other favorite is Esperanza Spalding, the genre-bending bassist who began her career doing avant-garde jazz and then went on to make extremely diverse albums that explored a variety of sounds, going from straight-ahead jazz, soul and more recently Emily’s D+Evolution (Concord), an experiment that blends musical theater, jazz, funk and much more – something that some fans heralded and others failed to fully comprehend (me being the latter) – when she first emerged, Spalding was a breath of fresh air in the jazz world, and continues to evolve throughout the years – I can only imagine what she is going to bring to the fore this time.