July Preview: What to Listen and Watch in the Midsummer

By Ernest Barteldes

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Aterciopelados, LAMC at Summerstage, July 11

July comes with even hotter temperatures but also brings a full calendar of outdoor shows in many locations. Again, as we did on previous months, we will focus on shows that are either free of charge or with a suggested donation, as is the case with most performances at the BRIC Celebrate Brooklyn and at Summerstage.

At Bryant Park, the Summer movie series continues with a program that includes classics like Carrie (the Original 1976 with Sissy Spacek and a very young John Travolta), Coming to America and Goodfellas among some lesser-known titles. Films begin at sunset, but you should come early, since space in the grass is occupied as early as 6:00 PM.

The month of July marks the celebration of the 20th Anniversary of The Latin Alternative Music Conference, a citywide event that includes various showcases, panel discussions and other goodies, but for the general public there are free shows around the city. These performances include an opening show at Central Park Summerstage headlined by Mexico’s Ximena Sariñana  (Wednesday, July 10th at 5 PM), one of the most respected young pop artists in her native country. Her style brings to mind girl-power singers like Avril Lavigne and (if you think of the 90s) Alanis Morrissette. Also on the bill are iLe and Nathy Peluso. The following day, LAMC will host a showcase in Queensbridge Park (July 11th) featuring legendary Colombian band Aterciopelados, Diamante Electrico and DJ Dayansita

Later in the weekend the conference moves to Celebrate Brooklyn, where Guatemala’s Gaby Moreno (Prospect Park, July 12th) a bilingual artist that mixes pop and traditional sounds  will be sharing the bill with Mexico’s Enhambre and El David Aguilar, and then things move back to Central Park (Saturday, July 13th) with tith a big 20th anniversary party featuring Vicente Garcia, ChocQuibTown, Macaco & Guaynaa. On the same evening, Malian living legend Salif Keita will headline at Prospect Park – making it one heck of a busy weekend if you plan on attending every show.

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I’m With Her, Celebrate Brooklyn July 18

Sara Watkins, Sarah Jarosz, and Aoife O’Donovan are three artists with respectable careers in their own right, but when they get together for their “Supergroup” I’m With Her things get far more interesting, as they use more harmonies and musical textures that go beyond their solo works. Opening the evening is Darlingside, a four-piece group from Boston that takes inspiration from 60s groups like Crosby, Stills, Nash & Young and Simon & Garfunkel but put their own personal imprint, being both retro and contemporary at the same time. (BRIC Celebrate Brooklyn, July 18).

I’ve heard Chilean-French rapper Ana Tijoux multiple times over the years, going from her rather raw debut appearance at LAMC almost a decade ago to her more evolved, social justice-conscious phase, where her angrier raps became more melodically intricate.  She continues to evolve, so don’t expect her to simply rap to the beats in her breakout hit “1977.” She has a deeper, more powerful message these days. (Summerstage at Corporal Thomas Park, July 20)

One of the biggest hits on Broadway in recent years, Fela! The Concert celebrates the times and music of iconic Afrobeat founder Fela Kuti with a ten-piece band, dancers and singers – some who were part of the original production – a great opportunity to watch the show again or for those who missed it to actually watch it for free. (Summerstage at Coney Island, July 26 and July 31 at Central Park)

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Alceu Valença, July 27 Brazil Summerfest at Summerstage

Brazil Summerfest is a two-week long festival that celebrates everything Brazilian, kicking off with a free street fair featuring traditional music, food and even some artisanal works. There are several ticketed shows, panel discussions and movie screenings throughout the event, including a free show at Central Park Summerstage featuring Alceu Valença (July 27), a legendary singer-songwriter in Brazil but who hardly ever performs in the US (at least from memory, I cannot recall ever hearing of him performing Stateside in the two decades I’ve been here). His music is a blend of traditional Northeastern beats with theatrics and rock. He is a consummate perfectionist in spite of his eccentric stage persona – I once saw him stop a show because the sound was not of his liking, but he did apologize to the audience for that, and later gave a stellar performance after the problems were solved.

August is also promising as Celebrate Brooklyn, Summerstage and Lincoln Center Out of Doors continue their free programs – tune back in at the end of July for some cool recommendations.

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Soul Rebels and Lettuce at Central Park Summerstage

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By Ernest Barteldes

Soul Rebels + Lettuce

Central Park Summerstage

Saturday, June 13, 2015

New York, NY

I had assumed the New Orleans ensemble would be closing this afternoon of music at Rumsey Playfield, so I ended up coming a bit late (due to significant subway delays) but was fortunate to have caught the final half of their set, in which they played their brass-heavy music with great ease and fluidity.

Among the highlights of what I was able to hear was an extended, creatively enhanced take on James Brown’s “Get on Up” that included several solos, and closing with Bruno Mars’ “Don’t Believe Me Just Watch” with a stronger blues-tinged feel.

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After a very brief break, Brooklyn-based Lettuce came on stage, kicking off their set with a very funky edge – focus was on the Hammond B-3 and guitars and their fantastic rhythm section with a strong funk-derived sound. At the same time, they stretched some of the tunes into extended jams that sometimes got tired, especially after having been exposed a more organic, soul-driven New Orleans sound.

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One of the highlights of their set, in fact, was when they invited The Soul Rebels to join them. It was then that the big, fat sound the marching band style band joined with the more electric Lettuce merged to get a new life – that allowed both bands to improvise freely and exchange smart riffs from a chemistry developed by touring together.

As the guests left the stage, it really felt like a bit of a lull – Lettuce never again picked up the same energy, and the music seemed to go into a more experimental direction that never really caught fire for me.  They are highly accomplished musicians but their sound just lost something to me – I hope to see them again in different circumstances to change my opinion.