The Weekend in Music: Accordion Festival at Bryant Park & Evelyn “Champagne” King at SummerStage at Corporal Thompson Park

Accordion Festival

Bryant Park

July 21, 2017

New York, NY

 

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Accordion Festival:  Osnelda

We arrived at Midtown Manhattan as Queens-based Sunnyside Social Club took to the stage doing a collection of New Orleans-inspired music that went in several directions, going from street band to funk, with the bass sounds performed by their tuba player.  The music was very up-tempo, and got the audience moving to its sound… until Brazil’s Osnelda came on with their celebration of  Forro, the syncopated Northeastern Brazilian dance music.

The band started off with a mostly instrumental piece called “Chora Sanfona,” which set the tone for their set – immediately many in attendance got to their feet and began dancing as dust clouds rose into the warm evening air. They followed the tune with a mid-tempo take on Caetano Veloso’s “Cajuina,” a song originally recorded in the 1970s in a much slower tempo.

The musicians had very good chemistry together, and the music flowed effortlessly.  They blended newer music – Including an original by bandleader Felipe Hostins – with classics that included Dominginhos’ “Forro No Escuro” and Jackson do Pandeiro’s “A-E-I-O-U-Y,” the latter being a tune that is included in pretty much every classic forro set in Brazil.

In between sets, host accordionist Rachelle Gamez, who would offer tidbits on the history of the instrument being celebrated that evening. She sometimes went a bit long with the talking and playing, but it was effective and entertaining.

Osnelda was followed by  Zlatni Balkan Zvuk, a group that played Balkan-style music in a lineup that included violin, percussion, keyboards and accordions. While they were obviously good musicians, the band sounded unrehearsed at times, since they didn’t seem to lock in very well. A guest vocalist was brought in and they started to sound better – I guess they were more comfortable with backing a singer than doing instrumentals.

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Accordion Festival: Gregorio Uribe

The evening concluded with Colombian musician Gregorio Uribe, who took the stage backed by a three-piece band (bass, percussion, keys).  He was well-received by the large Latin audience (many in Colombia soccer jerseys) who got up and danced along with his mix of Latin beats, including cumbia and salsa.  He sang with a firm voice and many of his tunes carried a social message – including one clearly aimed at the current American president.

The group sounded great, especially when guest singer Carolina Oliveros joined in – she has a strong, emotional voice and brought much soul to the group. The set ended with a great homage to their native Colombia, whose Independence Day was being celebrated at the event.

Evelyn “Champagne” King +

Fascination and DJ Joey Carvello

SummerStage at Corporal Thompson Park

Saturday, July 22nd

Staten Island, NY

 

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Fascination at SummerStage

Disco was the flavor of the evening at SummerStage on Staten Island’s Corporate Thompson Park – a large green area named after fallen Vietnam war marine Lawrence Thompson as DJ Joey Carvello, a pioneer of the disco area, spun tunes from the genre’s heyday, mixing hits from groups like Kool & The Gang and also deeper cuts I did not recognize.

The opener was 90s freestyle singer Fascination, a singer who has clearly seen better days: she sang not behind a backing track but by her actual tracks – her younger voice could clearly be heard as she screamed over them. At one point t was painful to watch her pretend to be a 20-year-old on stage with her mini-dress and utterly unconvincing sensual dance moves. Looking around me it was obvious the crowd was puzzled with what was going on.

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Evelyn “Champagne” King at SummerStage

After a brief break Evelyn “Champagne” King came on, with one of her earlier hits and then broke into an old-school rap. She greeted the audience warmly, and talked about her career beginnings as a teenager and then acknowledged her age by stating she was a “proud 57” and admitted she was “going through the sweats” at present.

King carried on with “Betcha She Don’t Love You,” a 1982 single in which the protagonist confronts a cheating lover and followed with “Love Come Down,” one of her best-known hits. She then brought out her guitarist husband Freddie Fox for a cut from her 2007 album “Open Book.” The tune had more of a contemporary R&B sound, far removed from the dance flavor of the other selections.

The evening closed with “Shame,” another of King’s major hits. Her voice is in incredible shape, and she was able to connect with the audience – many of whom probably hadn’t been born when most of the songs came out. It was a highly enjoyable set, which coincidentally ended as rain began to pour – refreshing all of us from the heat.

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What to hear in July: Summerstage, BRIC Celebrate Brooklyn and Bryant Park

By Ernest Barteldes

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Esperanza Spalding – July 30 at Celebrate Brooklyn

July is one of the busiest months in the summer outdoor concert schedule here in New York, and I am one who fully enjoys this – First of all, the Latin Alternative Conference comes to town, bringing tons of Latin talent both to Celebrate Brooklyn and Summerstage (plus many other venues – it’s a music smorgasbord for sure), so things get even more interesting.  Not only that, the public pools are also open so there is a lot to do even if you want to spend the hot days in a lazier fashion.

As I did before, I am only highlighting the free shows, since the ticketed benefit concerts are either sold out or have their own publicity machine behind them – it’s not like they need the likes of me.  For detailed times and locations please refer to the hyperlinks included here.

Things kick off on July 1st in Central Park with a celebration of French and American jazz with a lineup that simply doesn’t feel enough for a single evening, including gypsy guitar virtuoso Stephane Wrembel,  upcoming jazz/pop singer Kat Edmonson and singer Catherine Russell alongside bandleader extraordinaire Vince Giordano. It should be one hell of the night which as usual I am missing because I have plans out of town.

Over at Celebrate Brooklyn Musiq Soulchild does free concert on July 7th – he is regarded as one of the best soul singers of his generation and deserves it – his delivery is fantastic and so is his performance – I expect it to be packed that night.

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Jimmy Heath

On July 8th jazz great Jimmy Heath heads to Queens with his big band – the man has played with the likes of John Coltrane, Dizzy Gillespie and Miles Davis (to name a few) and is still here to tell the tale. Look forward to lots of bebop but also contemporary and straight-ahead jazz.

Those not willing to head all the way to Queens that night might want to check out New York’s own Mariachi Flor de Toloache and cumbia queen Totó La Momposina in Central Park. I heard the former during an LAMC concert at Celebrate Brooklyn  few years back – from what I remember it was a lively concert that paid tribute to the traditions of the music of their native Mexico but also looked ahead, using  complex vocal arrangements a few tunes in English; some songs were played with the addition of the cajón and also the ukulele, which both enhanced the songs and gave them an intriguing, innovative sound.

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Mon Laferte

The LAMC kicks off on July 12 in Central Park with Puerto Rico’s ÌFÉ, New York’s own Princess Nokia (an interesting use for the virtually defunct cellphone brand, no?) and Chile’s Mon Laferte, a self-taught powerhouse of a musician who blends electronic, rock and R&B in her own unique manner – her video for “Amarrame” (feat, Juanez) is on heavy rotation on Latin music channels (I happened to catch it while vacationing in the Dominican Republic a few weeks ago), and I really want to see how this translates in a live format

The late Fela Kuti is celebrated in music and theater for his contribution to what became the Afrobeat movement, and his legacy is being memorialized on July 16 in a concert  that brings together his son Seun Kuti and Roy Ayers, one of the elder Kuti’s many collaborators during his career and beyond – Ayers is one of the godfathers of the neo-soul movement and a highly respected artist in his own right.

I can’t remember the last time I heard Mali’s Amadou & Mariam on stage – I recall it was at Summerstage about a decade ago when I was still writing for the now-defunct Global Rhythm and New York Press. They are a married blind duo who play their own brand of African blues, and have this magical sound to them. It will be good to catch them again after all this time in Brooklyn on July 21st

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Accordion Festival 

On the same day, The Accordion Festival – closing up the Accordions Around The World program happening in Bryant Park – takes place, with tens of players over a five-hour period. Something for those who want to hang in midtown Manhattan and have a good time.

During her tragically brief career, Amy Winehouse left us a memorable canon of songs over two albums (only one released in the US market) and (as far as I know) a single guest appearance – her last recording – on Tony Bennett’s Duets II album. Her music is certainly remembered, and will be the basis for the program developed by BalletX / YY Dance Company on July 26 in Central Park.

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Andrew Bird

The month closes in Brooklyn (July 30)  with two of my favorite young musicians: multi-instrumentalist, whistler and vocalist Andrew Bird, who I discovered in a completely unusual way: on the soundtrack of the 2011 Muppets movie, Towards the end of the movie, newcomer Walter did a surprise performance of “The Whistling Caruso” – which was actually played by Bird.

The other favorite is Esperanza Spalding, the genre-bending bassist who began her career doing avant-garde jazz and then went on to make extremely diverse albums that explored a variety of sounds, going from straight-ahead jazz, soul and more recently Emily’s D+Evolution (Concord), an experiment that blends musical theater, jazz, funk and much more – something that some fans heralded and others failed to fully comprehend (me being the latter) – when she first emerged, Spalding was a breath of fresh air in the jazz world, and continues to evolve throughout the years – I can only imagine what she is going to bring to the fore this time.