Album reviews: Nouvelle Vague’s “I Could Be Happy” and Laura Cheadle’s “Chill” EP

By Ernest Barteldes

I first discovered Nouvelle Vague about a decade ago, when someone handed me a copy of 2006’s Bande a Part, an album which contained very creative treatments of tunes like U2’s “Pride – In The Name of Love” in a a samba-bossa groove and Billy Idol’s “Dancing With Myself” in what could be described as a tongue-in-cheek dance feel.

I have followed them since even though I seem to miss them every time they perform Stateside, this year being no exception. I love the way they recreate the covers they record in a manner that is almost incomparable – tunes feel completely different than the original, and you don’t have that feeling of “why cover this one?” since they have that original feel even if the song is amazingly familiar.

a3697181724_16

Such is the case of I Could Be Happy, the first to contain original material by Olivier Libaux and Marc Colin, the band’s longtime leaders. The Ramones’ “I Wanna Be Sedated” is played in sleepy down tempo beat reminiscent of the Beatles’ “I’m Only Sleeping” that gives the lyrics new meaning – gone is the rebellious feel of the original and instead is that feeling of someone who simply doesn’t want to get out of bed. Also notable is Richard Bell’s “Love Comes in Spurts,” reinvented here as an electronic ballad that deeply contrasts with the original’s punk arrangement.

lauracheadle

Among the independent artists that get our attention, New Jersey-based Laura Cheadle is one of the most frequent – basically because she has great passion on a live setting, is a gifted songwriter and also because she is fortunate enough have a live band mostly formed by her family members – all gifted musicians in her own right.

Cheadle’s new (download-only) EP entitled Chill kicks off with “Conversations in My Mind,” a soul-tinged tune whose lyrics question the narrator’s judgments about her own life. It has a simple but catchy melodic groove and a nice hook that stays in your head for quite some time. Also notable is “See The World With Me,” a gentle ballad about living life beyond the everyday grind.

I also enjoyed the treatment she gave to the cover of the Supremes’ “You Can’t Hurry Love.” While the original (which Phil Collins pretty much copies) was about warning young girls about falling in love too easily, her down-tempo version sends a different message: here is a love-worn woman who is about to give up on finding someone – anyone – but realizes that the best things in life take time even if it breaks your heart every single time.

Though I enjoy hear her on record, the best way to enjoy her music on a live format – those in New York can confirm what am talking about at Piano’s on April 15th – an awesome way to drown out those tax-day sorrows in anticipation of Easter Sunday – or Passover.  Or just another Sunday.

Concert Review: DJ Sets by Quantic, Gilles Peterson and AFrika Bambaataa

Afrika Bambaata Singer

By Ernest Barteldes

Gilles Peterson + Quantic +

Afrika Bambaataa

Central Park Summerstage

New York, NY

August 8, 2015

I’ve  never quite  understood the point of featuring DJs at Summertage in Central Park. I say this meaning no disrespect to the profession –  I actually think that a good DJ can sometimes be even more entertaining than a band at times, but the atmosphere has to be right. At the Rumsey Playfield they are doing their thing in the middle of the day, when most clubbers are not even thinking about heading out. I understand having one at hand to warm up the crowd for a musical act, as DJ Greg Caz did a couple of years back when Bebel Gilberto was featured as part of the Brazil Summerfest Festival.

There was a celebratory mood at Summerstage when Renata and I arrived – the evening was promoted by Giant Step, the former label that now concentrates on event promotion and marketing. DJ Quantic was at the booth doing a mix of Latin, pop and even a few New Orleans-inspired cuts (specifically a brass version of Marvin Gaye’s “Sexual Healing”) Most of the fans were clearly there for the headliners Afrika Bambattaa, but they followed the music attentively.

Peterson

Having nothing but a guy on the booth in the middle of the stage makes the stage feel a bit empty – I mean, this is a space that usually holds as many as 20 people. Sure, the music was quite intriguing but I did feel a lack of energy there.

Peterson2

 Gilles Peterson soon followed and did a more uptempo set that included some Brazilian tunes with a concentration on psychedelic sounds. He had more of an upbeat groove and got the audience moving quite quickly – he got people moving with his smart selection.

Afrika Bambaataa  (born Kevin Donovan) was clearly more successful than the other two – he came on with several folks on stage that got things jumping – while he manned the equipment, rappers did their thing enticing the crowd to dance and follow the music.

It was certainly an enjoyable evening  – it was likely my last stop at Summerstage for the season (there still is  the Charlie Parker Festival late in August) since this year’s edition of the Brazilian Film Festival was canceled due to apparent financial constraints.