Concert Review: IBEYI, Sudan Archives and Orion Sun at BRIC Celebrate Brooklyn, June 08, 2019

by Ernest Barteldes 

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Orion Sun +Sudan Archives + IBEYI 

BRIC Celebrate Brooklyn 

Prospect Park Brooklyn, NY 

June 08, 2019 

 

On what turned out to be one of the warmest night in June in New York as of this writing, Philadelphia-based Orion Sun took to the stage with DJ Haram, who relayed backing tracks for her to sing to – something not usually seen in a large stage like the Prospect Park Bandshell, where artists usually bring a larger ensemble instead of backing tracks. Her original music is very soul-inspired with a touch of melancholy 

During a portion of the set she played electric guitar, and rapped a bit on one of her numbers. Orion Sun has a lot of talent, but she clearly is not used to dealing with such a big audience – she seemed to focus on the audience up front, and did not engage with the crowd in general, so by the fourth number she had already lost most of them, who were by then chatting and pretty much ignoring her set, as good as it was.  

She was followed by Sudan Archives, another one-woman show that came on stage playing a violin, looping various sounds together to form her music, blending them with pre-recorded beats. Her music is a mix of influences, including a Saharan cry among other Afro-Centric beats.  

She expresses pain through her music, throwing some feminist ideas with a fresh, native feel. She was far more engaging than the previous artist, but again the venue was a bit too big for a one-person act that would be more suitable for a smaller stage.  

That changed with IBEYI – a duo formed by French-Cuban twin sisters Lisa Kaidé and Naomi Diaz, who came with their electronic sounds and percussion but also the participation of a small choir. They do some fantastic harmonies and also have great chemistry together.  One of the highlights was “By The Pussy,” a response the words spoken by then-candidate Trump on the infamous hidden camera video that came out during the 2016 campaign. Another great moment was the feminist anthem “No Man Is Big Enough for My Arms,” an uptempo tune that got everyone moving at once. 

The duo knows how to handle a bigger audience, and did a great job on that Saturday night, engaging the audience and communicating effectively with the crowd, which made for a satisfying experience.  

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